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WORKS 26681 – 26700 of 32052 IMAGES ONLY
Artist: Edgar Ray & Co. | Title: The coming man. | Date: 1858 | Technique: wood-engraving, printed in black ink, from one block

Edgar Ray & Co. (1857–1859)

The coming man.

(1858)

wood-engraving

Artist: Melville, Henry. | Title: (The Commercial Bank). | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

Henry Melville (1799–1873)

(The Commercial Bank).

(1834)

lithograph

Title: The Commissioner's Camp, Castlemaine, in 1852 (Mount Alexander). | Date: c.1853 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

The Commissioner's Camp, Castlemaine, in 1852 (Mount Alexander).

(c.1853)

lithograph

Artist: REDBACK GRAPHIX | Title: The Commonwealth of Australia Film and Television program | Date: c1990 | Technique: offset-lithograph

REDBACK GRAPHIX (1980–1994)

The Commonwealth of Australia Film and Television program

(c1990)

offset-lithograph

Title: The complete works of Gaius Petronius. | Date: 1927

The complete works of Gaius Petronius.

(1927)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The compliment

(1924)

etching

Title: The comrade

The comrade

Artist: Lasisi, David. | Title: The confused one | Date: 1976 | Technique: screenprint, printed in brown ink, from one screen

David Lasisi (1955–)

The confused one

(1976)

screenprint

Artist: Lasisi, David. | Title: The confused one | Date: 1976 | Technique: screenprint, printed in red ink, from one stencil

David Lasisi (1955–)

The confused one

(1976)

screenprint

Title: The Congregational Church, Pitt Street Sydney. | Date: 1848 | Technique: engraving, printed in black ink, from one plate; hand-coloured

The Congregational Church, Pitt Street Sydney.

(1848)

engraving

Artist: GRIFFITH, Pamela | Title: The conical helix of the Murex | Date: 1986 | Technique: hard ground, aquatint, sugarlift, burnishing, printed from two zinc plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The conical helix of the Murex

(1986)

hard ground

Artist: Allen, Joyce. | Title: The conspirators. | Date: 1963 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The conspirators.

(1963)

linocut

Artist: Jack, Kenneth. | Title: The constable and his family, Gulgong | Date: 1953 | Technique: lithograph, printed in colour, from three zinc plates | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

The constable and his family, Gulgong

(1953)

lithograph

Artist: LINDSAY, Lionel | Title: The Constable's Chapel, Burgos | Date: 1944 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Constable's Chapel, Burgos

(1944)

etching

Artist: ARNOLD, Raymond | Title: The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart. | Date: 1984 | Technique: screenprint, printed in colour, from three stencils

Raymond Arnold (1950–)

The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart.

(1984)

screenprint

Artist: Gittoes, George. | Title: The consultation. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The consultation.

(1971)

etching

Artist: Payne, Patsy. | Title: The contents of my world | Date: 1992 | Technique: wood-engraving, printed in black ink, from one block

Patsy Payne (1955–)

The contents of my world

(1992)

wood-engraving

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

Artist: Dyson, Will. | Title: The cookers near Villers-Brettoneux. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone Arnold unbleached

Will Dyson (1880–1938)

The cookers near Villers-Brettoneux.

(1918)

lithograph