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WORKS 2581 – 2600 of 32060 IMAGES ONLY
Artist: Danaher, Suzanne. | Title: Between time and eternity | Date: 1992, July - August | Technique: lithograph, printed in black and brown ink, from two stones

Suzanne Danaher (1949–)

Between time and eternity

(1992, July - August)

lithograph

Artist: ACCESS 4 | Title: Between your eyes and mine. | Date: 1991 | Technique: screenprint, printed in black and blue ink, from two stencils

ACCESS 4

Between your eyes and mine.

(1991)

screenprint

Artist: EWINS, Rod | Title: Bev sleeping. | Date: 1964 | Technique: lithograph, printed in black ink, from one stone

Rod Ewins (1940–)

Bev sleeping.

(1964)

lithograph

Artist: MEYER, Bill | Title: Bevelled square gap crossing | Date: 1979-1983 | Technique: photo-etching and drypoint, printed in black ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Bevelled square gap crossing

(1979-1983)

photo-etching and drypoint

Artist: Rowell, John. | Title: Beware of Nazi's Ears | Date: 1940s | Technique: lithograph, printed in colour, from multiple stones [or plates]

John Rowell (1894–1973)

Beware of Nazi's Ears

(1940s)

lithograph

Artist: Nabegeyo, Mukguddu. | Title: Bewk bewk | Date: 2000, October - November | Technique: lithograph, printed in black ink, from one stone

Mukguddu Nabegeyo

Bewk bewk

(2000, October - November)

lithograph

Artist: Djorlom, Garry. | Title: Bewk Bewk | Date: 1994 | Technique: lithograph, printed in colour, from three stones [or plates]

Garry Djorlom (1963–)

Bewk Bewk

(1994)

lithograph

Title: Bewohner von Diemen Island. Habitans de terre de Diemen | Date: c.1830? | Technique: lithograph, printed in black ink, from one stone [or plate]

Bewohner von Diemen Island. Habitans de terre de Diemen

(c.1830?)

lithograph

Artist: Defteros, June. | Title: Beyond | Date: 1994 | Technique: etching and aquatint, printed in brown ink, from one plate

June Defteros (1991–)

Beyond

(1994)

etching and aquatint

Artist: MEYER, Bill | Title: Beyond Beyit Vegan | Date: 1992 | Technique: etching, printed in brown ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Beyond Beyit Vegan | Beyond Beit V'gan

(1992)

etching

Title: BHP Newcastle | Date: 1948 | Technique: monotype, printed in colour, from one plate

BHP Newcastle

(1948)

monotype

Title: BHP Newcastle | Date: 1948 | Technique: monotype, printed in colour, from one plate

BHP Newcastle

(1948)

monotype

Title: Bicentenary | Date: 1986 | Technique: linocut, printed in black ink, from one block

Bicentenary

(1986)

linocut

Artist: Campbell (Jnr.), Robert | Title: Bicentenary | Date: 1986 | Technique: linocut, printed in black ink, from one block | Copyright: Courtesy of Rolsyn Oxley9 Gallery

Robert Campbell (Jnr.) (1944–1993)

Bicentenary

(1986)

linocut

Artist: Buckley, Sue. | Title: Bid the mighty ocean deep its own appointed limits reef. | Date: 1966 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

Bid the mighty ocean deep its own appointed limits reef.

(1966)

lithograph

Artist: Baker, William. | Title: Biddy Salmander, Broken Bay tribe. | Date: c.1840 | Technique: chalk-lithograph, printed in black ink, from one stone

William Baker (1806–1857)

Biddy Salmander, Broken Bay tribe.

(c.1840)

chalk-lithograph

Artist: SAM, Joel | Title: Bidthai. | Date: 2006 | Technique: etching, printed in colour, from one plate

Joel Sam (1977–)

Bidthai.

(2006)

etching

Artist: Guan Wei. | Title: Big baby | Date: 1994 | Technique: lithograph, printed in colour, from multiple plates

Guan Wei. (1957–)

Big baby

(1994)

lithograph

Artist: CIVIL, | Title: Big bad wolf. | Date: 2003 | Technique: stencil, printed in black ink, from one stencil

CIVIL, (1978–)

Big bad wolf.

(2003)

stencil

Artist: Elliott, Fred W. | Title: Big Ben, Heard Island, 1953 | Date: 1997, February | Technique: photo-lithograph, printed in black ink, from one stone | Copyright: By courtesy of the artist

Fred W. Elliott

Big Ben, Heard Island, 1953

(1997, February)

photo-lithograph