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WORKS 241 – 260 of 32060 IMAGES ONLY
Artist: UNKNOWN | Title: A barbed wire sandwich | Date: 1975 | Technique: screenprint, printed in black ink, from one stencil

UNKNOWN

A barbed wire sandwich

(1975)

screenprint

Artist: LINDSAY, Lionel | Title: A Barye bronze | Date: 1924 | Technique: etching printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Barye bronze | Bronze by Barye | Pheasant

(1924)

etching printed in brown ink

Artist: PARTRIDGE, Mike | Title: A batter thing | Date: 1992 | Technique: linocut, printed in black ink, from one block; hand-coloured

Mike Partridge

A batter thing

(1992)

linocut

Artist: Carrington, Berenice. | Title: A beer | Date: 1991 | Technique: linocut, printed in black ink, from one block

Berenice Carrington (1991–)

A beer

(1991)

linocut

Artist: GILL, S.T. | Title: A Bendigo mill. | Date: 1852, June 20 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

A Bendigo mill.

(1852, June 20)

lithograph

Artist: Davila, Juan. | Title: A bigger splash. | Date: 1989 | Technique: screenprint

Juan Davila (1946–)

A bigger splash.

(1989)

screenprint

Artist: Leunig, Michael. | Title: A bird in the heart | Date: 1991 | Technique: lithograph, printed in black ink, from one stone

Michael Leunig (1945–)

A bird in the heart

(1991)

lithograph

Artist: UNKNOWN | Title: A bit of night life | Date: c.1979 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

A bit of night life

(c.1979)

screenprint

Artist: Stockfeld, R.H. | Title: A bit of old Melbourne | Date: c.1935 | Technique: etching, printed in sepia ink, with plate-tone, from one plate

R.H. Stockfeld (1869–1942)

A bit of old Melbourne

(c.1935)

etching

Artist: MacNally, M.J. | Title: A bit of the pier, St. Kilda. | Date: 1899 | Technique: etching, printed in black ink, from one plate

M.J. Macnally (1874–1943)

A bit of the pier, St. Kilda.

(1899)

etching

Artist: COLEING, Tony | Title: A BLACK DAY - running out. | Date: 1989 | Technique: linocut, printed in black ink, from one block

Tony Coleing (1942–)

A BLACK DAY - running out.

(1989)

linocut

Artist: WALKER, Murray | Title: A blasted ancient oak in Richmond Park | Date: 1960 | Technique: drypoint, printed in black ink, from one plate

Murray Walker (1937–)

A blasted ancient oak in Richmond Park

(1960)

drypoint

Title: A blue faced female Black-naped Monarch whispers the secrets of the world to me but I am unimpressed | Date: 2007 | Technique: offset-lithograph, printed in colour, from multiple plates; collaged addition of cut paper

A blue faced female Black-naped Monarch whispers the secrets of the world to me but I am unimpressed

(2007)

offset-lithograph

Artist: PERROTTET, George | Title: A book containing [88] pp with 105 bookplates and one christmas card occupying [88] pp. | Date: (1930s) | Technique: linocut, printed in colour, from two blocks

George Perrottet (1890–1971)

A book containing [88] pp with 105 bookplates and one christmas card occupying [88] pp.

((1930s))

linocut

Artist: UNKNOWN | Title: A book of detection | Date: 1977 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

A book of detection

(1977)

screenprint

Artist: LINDSAY, Lionel | Title: A book of woodcuts. Drawn and engraved by Lionel Lindsay. | Date: 1922 | Technique: Woodengravings, printed in black ink, each from one block; one hand-coloured ;letterpress text | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A book of woodcuts. Drawn and engraved by Lionel Lindsay.

(1922)

Woodengravings

Artist: Harris, Jeffrey. | Title: A brain thinking with lightbulb eyes | Date: 1999 | Technique: sugar-lift etching, printed in black ink, from one plate

Jeffrey Harris (1949–)

A brain thinking with lightbulb eyes

(1999)

sugar-lift etching

Title: A branch of the bread-fruit tree, the principal support of the natives of the South Sea Islands | Date: c.1800 | Technique: engraving, printed in black ink, from one copper plate

A branch of the bread-fruit tree, the principal support of the natives of the South Sea Islands

(c.1800)

engraving

Title: A breakfast in the bush. | Date: 1830 | Technique: engraving, printed in black ink, from one plate

A breakfast in the bush.

(1830)

engraving

Artist: Menpes, Mortimer. | Title: A Breton beggar | Date: c.1882 | Technique: etching, printed in black ink, from one plate

Mortimer Menpes (1855–1938)

A Breton beggar

(c.1882)

etching