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WORKS 21141 – 21160 of 32046 IMAGES ONLY
Artist: MEYER, Bill | Title: Points beyond intersecting | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Points beyond intersecting

(1981)

photo-etching

Title: Pointy pointy scissors | Date: 2010

Pointy pointy scissors

(2010)

Title: Poison fish | Date: 1987 | Technique: linocut, printed in black ink, from one block

Poison fish

(1987)

linocut

Artist: Hayward Pooaraar, Bevan. | Title: Poison fish series | Date: 1987 | Technique: linocut, printed in black ink, from one block

Bevan Hayward Pooaraar (1939–2004)

Poison fish series

(1987)

linocut

Artist: Pyke, Guelda | Title: Poisson III | Date: 1982 | Technique: etching and aquatint, printed in sepia ink, from one plate

Guelda Pyke (1905–1994)

Poisson III

(1982)

etching and aquatint

Artist: PULE, John | Title: Pokia | Date: 1995 | Technique: lithograph, printed in colour, from two stones | Copyright: © John Pule, printed by Paper Graphica Ltd, Christchurch, NZ

John Pule (1962–)

Pokia | Together

(1995)

lithograph

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Polar Bear

(1931)

wood-engraving

Artist: Fransella, Graham. | Title: Pole vaulter. | Date: 1981 | Technique: etching, printed in black ink, from one plate; hand-coloured | Copyright: Courtesy of the artist

Graham Fransella (1950–)

Pole vaulter.

(1981)

etching

Artist: Littler, Frank | Title: Police at play | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Frank Littler (1947–)

Police at play | Blue

(1974)

screenprint

Artist: Tyson, Jason. | Title: Police cars | Date: c.2001 | Technique: linocut, printed in black ink, from one block

Jason Tyson (2000–)

Police cars

(c.2001)

linocut

Artist: Gill, S.T. | Title: Police court house and town hall, Swanston st Melbourne. | Date: 1854 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Police court house and town hall, Swanston st Melbourne.

(1854)

lithograph

Artist: Nicholas, William. | Title: Police magistrate (Charles Winddeyer) | Date: 1847 | Technique: lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

Police magistrate (Charles Winddeyer)

(1847)

lithograph

Artist: Ham Brothers. | Title: Police office, Melbourne. | Date: 1850 | Technique: lithograph, printed in black ink, from one stone

Ham Brothers. (1850–1851)

Police office, Melbourne.

(1850)

lithograph

Artist: PARR, Mike | Title: Polish mud | Date: 1995 | Technique: drypoint and lift-ground aquatints, printed in colour, each from 2 copper plates

Mike Parr (1945–)

Polish mud

(1995)

drypoint and lift-ground aquatints

Artist: PARR, Mike | Title: Polish mud # 1. | Date: 1995 | Technique: drypoint and lift-ground aquatint, printed in colour, from 2 copper plates

Mike Parr (1945–)

Polish mud # 1.

(1995)

drypoint and lift-ground aquatint

Artist: PARR, Mike | Title: Polish mud # 10 | Date: 1995 | Technique: drypoint and lift-ground aquatint, printed in colour, from 2 copper plates

Mike Parr (1945–)

Polish mud # 10

(1995)

drypoint and lift-ground aquatint

Artist: PARR, Mike | Title: Polish mud # 11 | Date: 1995 | Technique: drypoint and lift-ground aquatint, printed in colour, from 2 copper plates

Mike Parr (1945–)

Polish mud # 11

(1995)

drypoint and lift-ground aquatint

Artist: PARR, Mike | Title: Polish mud # 12 | Date: 1995 | Technique: drypoint and lift-ground aquatint, printed in colour, from 2 copper plates

Mike Parr (1945–)

Polish mud # 12

(1995)

drypoint and lift-ground aquatint

Artist: PARR, Mike | Title: Polish mud # 2 | Date: 1995 | Technique: drypoint and lift-ground aquatint, printed in colour, from 2 copper plates

Mike Parr (1945–)

Polish mud # 2

(1995)

drypoint and lift-ground aquatint

Artist: PARR, Mike | Title: Polish mud # 3 | Date: 1995 | Technique: drypoint and lift-ground aquatint, printed in colour, from 2 copper plates

Mike Parr (1945–)

Polish mud # 3

(1995)

drypoint and lift-ground aquatint