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WORKS 20121 – 20140 of 32047 IMAGES ONLY
Artist: Watson, Judy. | Title: our bones in your collections. | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

our bones in your collections.

(1997)

lithograph

Artist: Kennedy, Roy. | Title: Our bridge on the Murrumbidgee | Date: c.1999 | Technique: etching, printed in black ink, from one plate

Roy Kennedy (1934–2021)

Our bridge on the Murrumbidgee

(c.1999)

etching

Title: Our convicts what we do and what becomes of them | Date: c.1865 | Technique: lithograph, printed in black ink, from one stone, hand-coloured

Our convicts what we do and what becomes of them

(c.1865)

lithograph

Artist: Dyson, Will. | Title: Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce.

(c.1929)

etching

Artist: Calvert, Samuel. | Title: Our engraver as he appears through the week. | Date: 1856 | Technique: wood-engravings, printed in black ink, each from one block

Samuel Calvert (1828–1913)

Our engraver as he appears through the week.

(1856)

wood-engravings

Artist: Bell, Michael. | Title: Our girls pick the best fruit | Date: 1994 | Technique: etching, aquatint and open-bite, printed in black ink, from one plate

Michael Bell (1959–)

Our girls pick the best fruit

(1994)

etching

Artist: Watson, Judy. | Title: our hair in your collections. | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

our hair in your collections.

(1997)

lithograph

Artist: Gittoes, George. | Title: Our house | Date: 1991 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

Our house

(1991)

etching

Artist: Dyson, Will. | Title: Our immortals: Of course my dear Dean Inge, I am biased, my son was a carpenter.. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: "Of course my dear Dean Inge, I am biased, my son was a carpenter.".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances. | Date: 1929 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances.

(1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: First act, third scene of an old and original comedy by G.B.S. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: First act, third scene of an old and original comedy by G.B.S.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Much more of this from you George Bernard Shaw and Dr Freud shall hear of it!. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Much more of this from you George Bernard Shaw and Dr Freud shall hear of it!.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Thomas Carlyle in a more perfect world regretting the absence of something to denounce. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Thomas Carlyle in a more perfect world regretting the absence of something to denounce.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Thomas Hardy finds evidence of canker in the fields of asphode. | Date: about 1928 | Technique: drypoint, printed in black ink with light plate tone, from one plate

Will Dyson (1880–1938)

Our immortals: Thomas Hardy finds evidence of canker in the fields of asphode.

(about 1928)

drypoint

Artist: HANRAHAN, Barbara | Title: Our lady of the flowers | Date: 1966 | Technique: lithograph, printed in colour, from three plates

Barbara Hanrahan (1939–1991)

Our lady of the flowers

(1966)

lithograph

Artist: Killen, Granger. | Title: 'Our Place' - Chapman Hostel Exhibition - Bitumen River | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Granger Killen (1964–)

'Our Place' - Chapman Hostel Exhibition - Bitumen River

(1981)

screenprint

Artist: Dyson, Will. | Title: Our poets no.1: The White slavers muse - or Go earn me a Rolls Royce or two. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our poets no.1: The White slavers muse - or "Go earn me a Rolls Royce or two".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our poets: I'm weeping well today. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our poets: "I'm weeping well today".

(c.1929)

drypoint

Artist: Hayes, Ray. | Title: Our power lies in organisation | Date: 1979 | Technique: screenprint, printed in colour, from three stencils

Ray Hayes (1978–)

Our power lies in organisation

(1979)

screenprint