On an Old Highway, Tasmania.

Ella Dwyer (1887–1979)

On an Old Highway, Tasmania.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Exhibition of Etchings by the Australian Painter-Etchers' Society

Venues

New Gallery [Melbourne]. (11 December 1928 – 24 December 1928)
107 Elizabeth St., (Robertson's Building), Melbourne, Victoria, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. £1.11.6 (unframed) | etching

The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

St. Michael's Church, Rose Bay. £1.11.6 (unframed) | etching

The Lakes Entrance, Victoria. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Farm corner. £1.11.6 (unframed) | etching

A glimpse. £1.01.0 (unframed) | etching

Young Kookaburras. £1.01.0 (unframed) | etching

10. Hauling timber, Jamberoo to Nowra. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

11. Old mill buildings, Hobart. £2.02.0 (unframed) | etching

12. St. Thomas' Church, North Sydney. £1.01.0 (unframed) | etching

13. On an Old Highway, Tasmania. £1.01.0 (unframed) | etching

14. The wind bloweth. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

15. Susan Island. £2.12.6 (unframed) | etching

16. On the Banks of the Clarence. £2.02.0 (unframed) | etching

17. The end of the village. £1.01.0 (unframed) | etching

18. The road to Forster. £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

19. Venice. £3.03.0 (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

20. Caudebec, Normandy. £3.03.0 (unframed) | etching

21. The Wollondilly, N.S.W. £3.03.0 (unframed) | etching

22. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching

23. Building the bridge, Sydney Harbour. £3.03.0 (unframed) | etching

24. A pipe of 'baccy'. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

25. Xmas Eve. £10.10.0 (unframed) | etching | Collection, Sydney National Gallery.

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

26. His ain fireside. £4.04.0 (unframed) | etching

27. Carlyle's House, Chelsea. £4.04.0 (unframed) | etching

28. The Storm. £3.03.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

29. Lakeshore. £4.04.0 (unframed) | etching

30. Windswept. £3.03.0 (unframed) | etching

31. Dairy Farm. £2.02.0 (unframed) | etching

32. The farmyard. £2.02.0 (unframed) | etching

33. Spreading Ti-Tree. £1.12.6 (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

34. Sunlight and ships £3.03.0 (unframed) | etching | ollection:Melbourne Art Gallery.

35. The Scarred Veteran. £3.03.0 (unframed) | etching

36. Hilltop. £2.12.6 (unframed) | etching | Collections, Adelaide and Melbourne Art Galleries.

37. The Thatched Stable. £1.11.6 (unframed) | etching

38. The two gums. £1.01.0 (unframed) | etching

39. Stormy sunset £1.01.0 (unframed) | etching

40. At Oaklands. £1.01.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. Solitude. £2.02.0 (unframed) | etching

42. 'Finance' (Collins St., Melbourne). £1.01.0 (unframed) | etching

43. German Charley's shanty. £1.11.6 (unframed) | etching

Goodhart, J.C. (1873–1952)

44. Molle Street Bridge, Hobart. £2.02.0 (unframed) | etching | Collection, Adelaide Art Gallery.

45. The old Ross tannery. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

46. 'De Bavay's', Broken Hill. £2.02.0 (unframed) | etching

47. 'Conquest' (Broken Hill Mines). £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

48. The Hawkesbury River Landscape. £6.06.0 (unframed) | etching

49.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The old shot and powder works £4.04.0 (unframed) | etching

51. Christchurch. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Iffley Mill, Oxford £3.03.0 (unframed) | etching

53. The Parchment Mills. £4.04.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

54. The Rocks, Sydney. £1.11.6 (unframed) | etching

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

55. Bulletin Place, Sydney £1.11.6 (unframed) | etching

56. St. Mark's, Darling Point. £1.11.6 (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

57. Nude. £1.11.6 (unframed) | etching

58. The Joseph's Coat. £2.02.0 (unframed) | etching

59. Nocturne. £3.03.0 (unframed) | etching

Paul, Mick. (1888–1945)

60. Lachlan Macquarie. £2.02.0 (unframed) | etching

Reid, D.G. (1862–1933)

68. A Fisherman's Haven. £2.02.0 (unframed) | etching

69. The Windmill. £1.10.6 (unframed) | etching

70. The Gothic Spire. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

71. Australian sunrise. £3.03.0 (unframed) | etching

72. Riverside Trees. £2.10.0 (unframed) | etching

73. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

74. Roadside trees £2.02.0 (unframed) | etching

76. 'Evening', Narrabeen Lakes. £1.11.6 (unframed) | etching

77. 'Margarets', Lake Macquarie. £1.01.0 (unframed) | etching

78. 'The Vista'. £1.11.6 (unframed) | etching

79. River Oaks. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

80. In the Old Village, Cagnes, France. £2.12.6 (unframed) | etching

Artist: Rose, Herbert. | Title: Le Puy, France | Date: c.1927 | Technique: etching, printed in black ink, from one plate

81. Le Puy, France £3.03.0 (unframed) | etching

82. The Zattere, Venice. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

83. Women's College, Sydney University. £3.03.0 (unframed) | etching

84. St. Andrew's College, Sydney University. £3.03.0 (unframed) | etching

85. Readitt's Bend. £3.03.0 (unframed) | etching

86. The willows. £2.02.0 (unframed) | etching

87. The Mill Pastoral. £2.02.0 (unframed) | etching

88. Water carters. £2.02.0 (unframed) | etching

89. The beach. £1.11.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Mirage | Date: 1928 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate

95. Mirage £3.03.0 (unframed) | etching

96. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | coloured etching

97. Melbourne. £3.03.0 (unframed) | aquatint

98. End of the day, Red Cliffs. £2.02.0 (unframed) | aquatint

99. Edge. £3.03.0 (unframed) | etching

100. Mt Warning, N.S.W. £4.04.0 (unframed) | aquatint

101. Ti-Tree. £1.01.0 (unframed) | etching

102. Between showers, Carcassonne. £4.04.0 (unframed) | aquatint

Walker, F. Sidney. (1888–1972)

103. Evening, Narooma. £1.11.6 (unframed) | etching

104. Sunlit gums. £1.11.6 (unframed) | etching

105. The Drying Creek. £1.11.6 (unframed) | etching

106. The Mill. £1.11.6 (unframed) | etching

107. Lagoon. £1.01.0 (unframed) | etching

108. Quiet Water. £1.01.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. The Spires of St. Paul's, Melbourne. £3.03.0 (unframed) | etching

110. Melbounre Grammar School. £3.03.0 (unframed) | etching

111. 'Queens', Melbourne University. £3.03.0 (unframed) | etching

112. Bookplate, 'Melba'. not for sale | etching

Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Venues

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Crisp, James. (1879–1962)

Playmates. 1½ gns (unframed) | drypoint

Barker, David. (1888–1946)

1. Martin Place. Kindly lent by F. larkins, Esq. | drypoint

2. Circular Quay. 3 gns (unframed) | drypoint

Artist: Barker, David. | Title: Bridge Street. | Date: (1930) | Technique: drypoint, printed in black ink, from one plate

3. Bridge Street. 3 gns (unframed) | drypoint

4. The Mill, Sussex. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Stone Tower, Fort Macquarie. 1½ gns (unframed) | etching

6. Carthona, Double Bay. 1½ gns (unframed) | etching

7. Old bridge, William St., Double Bay. 1½ gns (unframed) | etching

8. Double Bay Beach. 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

10. Farm corner. 1½ gns. (unframed) | etching

11. A bit of the Barron River, N.Q. 2 gns (unframed) | drypoint

12. A Favourite spot. [drawing for]. 5 gns (framed) | colour drawing

13. Mt. Cootha, Brisbane. 1½ gns (unframed) | etching

14. The conference. 1½ gns (unframed) | etching

15. Brisbane, Queensland. 1 gn (unframed) | etching

16. Cocoanut Palms, Magnetic Island, North Queensland. 3 gns (unframed) | etching

17. The Old Mine, Harden. 1½ gns (unframed) | etching

18. Nearing home. 1½ gns (unframed) | etching

19. Hauling timber, Jamberoo to Nowra. 1½ gns (unframed) | etching

20. Cattai Creek. 1½ gns (unframed) | etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

21. The teamster. 2 gns. (unframed) | etching

22. Kuranda Railway Station, N.Q. [pencil]. 3 gns (framed) | pencil

Dwyer, Ella. (1887–1979)

23. Misty morning sandgrain. 2 gns. (unframed) | sandgrain

24. Old Home of 'Commodore' Blue, Berry's Bay. 2 gns (unframed) | etching

25. Old houses, Campbell Street. 1½ gns (unframed) | etching

26. On an Old Highway, Tasmania. 1 gns (unframed) | etching

Farmer, Helen. (1888–1970)

27. Nelligen. 1½ gns (unframed) | etching

28. Church Point, Pittwater. 2½ gns (unframed) | etching

29. Huskisson. 1 gn (unframed) | etching

30. Riddles Wharf, Pittwater. 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

31. His ain fireside. 4 gns (unframed) | etching

32. Conservatorium of Music, Sydney. 2 gns (unframed) | etching

33. Clock Tower, Central Station, Sydney. 3 gns (unframed) | etching

34. Fort Street School, Sydney. 2 gns (unframed) | etching

35. Cowan, N.S.W. 2 gns. (unframed) | etching

36. Dickens' Old Curiosity Shop, London. 3 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

37. The Drovers. 3 gns (unframed) | etching

38. The bush philosopher. 2½ gns (unframed) | etching

39. The Mountain Road, Brush Creek, N.S.W. 3 gns (unframed) | etching

40. Venice. 3 gns (unframed) | etching

41. Caudebec, Normandy. 3 gns (unframed) | etching

42. Omar, the Tent Maker. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

43. The bush madonna. 1 gn (unframed) | etching

44. The bark hut. 2 gns (unframed) | etching

45. The Digger. 1½ gns (unframed) | etching

46. Old drover. 1 gn (unframed) | etching

47. The Conservation of Music, Sydney. 2 gns (unframed) | etching

48. Three Kookaburras. 2 gns (unframed) | etching

Gallop, Herbert. (1890–1958)

49. The picnic, Cattai Creek. 2 gns (unframed) | etching

50. Kangaroo Valley. 1 gn (unframed) | etching

51. Shore Pines. 2 gns (unframed) | etching

52. The farm on the Fish River. 1½ gns (unframed) | etching

53. North Ryde Farms. 1½ gns (unframed) | etching

54. Over the Hill. 1 gn (unframed) | etching

55. The southerly blows. 3 gns (unframed) | etching

56. Boatsheds, Pittwater. 2 gns (unframed) | etching

57. Wharfside, Pittwater. 5 gns (unframed) | etching

58. From the Hills. 2 gns (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

59. The Barn, Magill 2½ gns (unframed) | etching

60. Summertime. 2½ gns (unframed) | etching

61. The Sheltered Glade. 1½ gns (unframed) | etching

62. The Dry Creek. 2½ gns (unframed) | etching

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

63. Dawn 1 gn (unframed) | mezzotint

64. At Oaklands. 1 gn (unframed) | etching

65. The two gums. 1 gn (unframed) | etching

66. In the Power House. 2 gns (unframed) | aquatint

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

67. Parker's cottage, Moonta Mines 2 gns (unframed) | etching

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

68. Towards Treuer's and Karkarilla Moonta Mines 1½ gns (unframed) | etching

Godson, John Barclay. (1882–1957)

69. A Peep of the Homeland. 3 gns (unframed) | etching

70. A Yorkshire Village. 3 gns (unframed) | etching

71. Old court house, Berrima. 3 gns (unframed) | etching

72. Botanic Steps. 1 gn (unframed) | etching

73. Entrance to the Old Town. 3 gns (unframed) | etching

74. A Yorkshire Stream. 1½ gns (unframed) | etching

75. Jetty, Etaples. 2 gns (unframed) | etching

76. The Shambles, York. 3 gns (unframed) | etching

Goodhart, J.C. (1873–1952)

89. The Poppet Head. 3 gns (unframed) | etching

GOODCHILD, John (1898–1980)

90. A bush shipyard. 3 gns (unframed) | etching

91. Prosperity. 3 gns (unframed) | etching

92. Desert Gums. 2 gns (unframed) | softground etching

Hilder, Bim. (1909–1990)

93. Windy Day. 1 gn (unframed) | aquatint

94. The sentinel. 1 gn (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Hawkesbury landscape 6 gns (unframed) | aquatint

96. The lake. 4 gns (unframed) | aquatint

97. Landscape, Newport. 4 gns (unframed) | line etching

98. Boyd's Boatshed, Narrabeen. 4 gns (unframed) | line etching

99. Narrabeen Landscape. 3 gns. (unframed) | line etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

100. Tascot 3 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

101. Windmill Street, Old Sydney [1] 3 gns (unframed) | line etching

102. Feeding time. 3 gns (unframed) | line etching

103. Demolition, Waterloo Bridge, London. 4 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

104. Old houses, Chiddingstone 3 gns (unframed) | line etching

105. Old mill, Petertary. 3 gns (unframed) | line etching

Marsden, May. (1876–1968)

106. The moorings, Berry's Bay. 2 gns (unframed) | etching

107. Coaling Cranes, Ball's Head. 2 gns (unframed) | etching

108. Prymont Bridge. 3 gns (unframed) | etching

109. The Mopoke. 1 gn (unframed) | etching

110. Blue Mountains, Leura. 2 gns (unframed) | etching

111. The boat pool, Newcastle, N.S.W. 2½ gns (unframed) | etching

112. The Harbour, Newcastle, N.S.W. 3½ gns (unframed) | etching

113. On the Golf Links, Mossvale. 1 gn (unframed) | etching

Morgan, Squire. (1886–1974)

114. Afternoon light. 2 gns (unframed) | etching

115. Roadside shanties. 3 gns (unframed) | etching

116. Scots Church. 3 gns (unframed) | etching

117. Avoca Lagoon. 3 gns (unframed) | etching

Artist: Morgan, Squire. | Title: Approaching Canberra | Date: c.1927 | Technique: etching

118. Approaching Canberra 1 gn (unframed) | etching

119. Mt. Ainsley, Canberra. 1 gn (unframed) | etching

120. Pioneer's Home. 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

121. The Old School House Canberra. 1½ gns (unframed) | etching

122. Kaye's Barn (Klensendorlffe's), Canberra. 1½ gns (unframed) | etching

123. Bookplate. etching

124. Experiment Cottage, Parramatta. 1 gn (unframed) | etching

125. St. John's, Parramatta. 2 gns (unframed) | etching

126. Holy Thorn, Glastonbury. 1½ gns (unframed) | etching

127. Stonetubs, Vaucluse. 1½ gns (unframed) | etching

128. Horsley II. 2 gns (unframed) | etching

Parkes, Adrienne. (1910–1943)

129. Spanish Dancer. 1½ gns (unframed) | etching

130. Ballet Dancer. 1½ gns (unframed) | etching

131. The old model. 3 gns (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

132. Joseph's Coat. 1 2 gns (unframed) | etching

133. Joseph's Coat. 2 gns (unframed) | drypoint

Pratt, Douglas. (1900–1972)

134. Boats, Double Bay. 2 gns (unframed) | etching

135. Dredging, Cook's River. 2 gns (unframed) | etching

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

136. The Sunlit Forge 1½ gns (unframed) | etching

137. The Track to the Sheds. 2 gns (unframed) | etching

138. Botany Bay. 2 gns (unframed) | etching

139. Lakeside. 1 gns (unframed) | etching

140. Pyrmont Bridge. 1 gns (unframed) | etching

141. Early Home, Tempe. 1½ gns (unframed) | etching

142. Far From the Madding Crowd. 2 gns (unframed) | etching

143. Boats, Double Bay pencil study. 2 gns (framed) | pencil study

144. The Track to the Sheds [pencil study]. 2 gns (framed) | pencil study

145. Sketch, Fairy Meadow pencil study. 2 gns (framed) | pencil study

Reid, D.G. (1862–1933)

146. The Sunken Road. 3 gns (unframed) | etching

147. A Fisherman's Fortune. 3 gns (unframed) | etching

148. Ancestral Trees. 3 gns (unframed) | etching

149. The Fruit Boat. 2 gns (unframed) | etching

150. Bridge on the Orange Road. 2 gns (unframed) | etching

151. In the Afterglow. 2 gns (unframed) | etching

152. The Grove. 2 gns (unframed) | etching

153. The Doll's House. 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

154. Rue de l'Petit Fort Dinan, Brittany. 2 gns (unframed) | etching

155. The river bank morning. 1½ gns (unframed) | etching

156. The timber ship, Swansea, Lake Macquarie. 1½ gns (unframed) | etching

157. The river bend. 1½ gns. (unframed) | etching

158. Top of the Hill. £1 5 0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

159. The Harbour Bridge. 2 gns (unframed) | etching

160. The Old Shed. 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

161. The casualty list. 5 gns (unframed) | etching

162. State Parliament House, Melbourne. 2 gns (unframed) | etching

Artist: SHIRLOW, John | Title: Kelly's Stairs. | Date: c.1929 | Technique: etching, printed in black ink, from one copper plate

163. Kelly's Stairs. 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

164. Malelucas. 4 gns (unframed) | etching

165. First Night, Turret Theatre. 5 gns (unframed) | colour aquatint

166. St. Etienne, Toulouse. 5 gns (unframed) | colour etching

167. Drawing of Bridge, the Creeper Crane. 10 gns (framed) | chalk

Warner, Alfred Edward. (1879–1968)

168. Old House, Rocks District. 1 gn (unframed) | etching

169. Tweed River Flats. 2 gns (unframed) | etching

Walker, F. Sidney. (1888–1972)

170. The Bridge, South Abutment, May 1929. 1½ gns (unframed) | etching

171. The Nepean, Penrith. 2 gns (unframed) | etching

172. Pastoral. 2 gns (unframed) | etching

173. Down in Riverina. 1½ gns (unframed) | etching

174. Harbour Entrance. 1½ gns (unframed) | etching

175. The Home Paddock. 1½ gns (unframed) | etching

176. The timbered ridge. 1 gn. (unframed) | etching

177. Lagoon. 1 gn (unframed) | etching

178. Quiet Water. 1 gn (unframed) | etching

179. The road to Tilba Tilba. 1 gn (unframed) | etching

180. Even Tide. 1 gn (unframed) | etching

181. The creek. 2 gns (unframed) | pencil

Wood, A.J. (1929–)

182. The Pelican. 1 gn (unframed) | drypoint

183. 'Morrie'. 2 gns (unframed) | etching

184. Sheela. 1 gn (unframed) | etching

185. Portrait softground. 1 gn (unframed) | softground