Le Puy, France

Herbert Rose (1890–1937)

Le Puy, France

(c.1927)

etching

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Exhibition of Etchings by the Australian Painter-Etchers' Society

Venues

New Gallery [Melbourne]. (11 December 1928 – 24 December 1928)
107 Elizabeth St., (Robertson's Building), Melbourne, Victoria, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. £1.11.6 (unframed) | etching

The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

St. Michael's Church, Rose Bay. £1.11.6 (unframed) | etching

The Lakes Entrance, Victoria. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Farm corner. £1.11.6 (unframed) | etching

A glimpse. £1.01.0 (unframed) | etching

Young Kookaburras. £1.01.0 (unframed) | etching

10. Hauling timber, Jamberoo to Nowra. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

11. Old mill buildings, Hobart. £2.02.0 (unframed) | etching

12. St. Thomas' Church, North Sydney. £1.01.0 (unframed) | etching

13. On an Old Highway, Tasmania. £1.01.0 (unframed) | etching

14. The wind bloweth. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

15. Susan Island. £2.12.6 (unframed) | etching

16. On the Banks of the Clarence. £2.02.0 (unframed) | etching

17. The end of the village. £1.01.0 (unframed) | etching

18. The road to Forster. £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

19. Venice. £3.03.0 (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

20. Caudebec, Normandy. £3.03.0 (unframed) | etching

21. The Wollondilly, N.S.W. £3.03.0 (unframed) | etching

22. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching

23. Building the bridge, Sydney Harbour. £3.03.0 (unframed) | etching

24. A pipe of 'baccy'. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

25. Xmas Eve. £10.10.0 (unframed) | etching | Collection, Sydney National Gallery.

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

26. His ain fireside. £4.04.0 (unframed) | etching

27. Carlyle's House, Chelsea. £4.04.0 (unframed) | etching

28. The Storm. £3.03.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

29. Lakeshore. £4.04.0 (unframed) | etching

30. Windswept. £3.03.0 (unframed) | etching

31. Dairy Farm. £2.02.0 (unframed) | etching

32. The farmyard. £2.02.0 (unframed) | etching

33. Spreading Ti-Tree. £1.12.6 (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

34. Sunlight and ships £3.03.0 (unframed) | etching | ollection:Melbourne Art Gallery.

35. The Scarred Veteran. £3.03.0 (unframed) | etching

36. Hilltop. £2.12.6 (unframed) | etching | Collections, Adelaide and Melbourne Art Galleries.

37. The Thatched Stable. £1.11.6 (unframed) | etching

38. The two gums. £1.01.0 (unframed) | etching

39. Stormy sunset £1.01.0 (unframed) | etching

40. At Oaklands. £1.01.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. Solitude. £2.02.0 (unframed) | etching

42. 'Finance' (Collins St., Melbourne). £1.01.0 (unframed) | etching

43. German Charley's shanty. £1.11.6 (unframed) | etching

Goodhart, J.C. (1873–1952)

44. Molle Street Bridge, Hobart. £2.02.0 (unframed) | etching | Collection, Adelaide Art Gallery.

45. The old Ross tannery. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

46. 'De Bavay's', Broken Hill. £2.02.0 (unframed) | etching

47. 'Conquest' (Broken Hill Mines). £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

48. The Hawkesbury River Landscape. £6.06.0 (unframed) | etching

49.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The old shot and powder works £4.04.0 (unframed) | etching

51. Christchurch. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Iffley Mill, Oxford £3.03.0 (unframed) | etching

53. The Parchment Mills. £4.04.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

54. The Rocks, Sydney. £1.11.6 (unframed) | etching

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

55. Bulletin Place, Sydney £1.11.6 (unframed) | etching

56. St. Mark's, Darling Point. £1.11.6 (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

57. Nude. £1.11.6 (unframed) | etching

58. The Joseph's Coat. £2.02.0 (unframed) | etching

59. Nocturne. £3.03.0 (unframed) | etching

Paul, Mick. (1888–1945)

60. Lachlan Macquarie. £2.02.0 (unframed) | etching

Reid, D.G. (1862–1933)

68. A Fisherman's Haven. £2.02.0 (unframed) | etching

69. The Windmill. £1.10.6 (unframed) | etching

70. The Gothic Spire. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

71. Australian sunrise. £3.03.0 (unframed) | etching

72. Riverside Trees. £2.10.0 (unframed) | etching

73. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

74. Roadside trees £2.02.0 (unframed) | etching

76. 'Evening', Narrabeen Lakes. £1.11.6 (unframed) | etching

77. 'Margarets', Lake Macquarie. £1.01.0 (unframed) | etching

78. 'The Vista'. £1.11.6 (unframed) | etching

79. River Oaks. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

80. In the Old Village, Cagnes, France. £2.12.6 (unframed) | etching

81. Le Puy, France £3.03.0 (unframed) | etching

82. The Zattere, Venice. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

83. Women's College, Sydney University. £3.03.0 (unframed) | etching

84. St. Andrew's College, Sydney University. £3.03.0 (unframed) | etching

85. Readitt's Bend. £3.03.0 (unframed) | etching

86. The willows. £2.02.0 (unframed) | etching

87. The Mill Pastoral. £2.02.0 (unframed) | etching

88. Water carters. £2.02.0 (unframed) | etching

89. The beach. £1.11.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Mirage | Date: 1928 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate

95. Mirage £3.03.0 (unframed) | etching

96. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | coloured etching

97. Melbourne. £3.03.0 (unframed) | aquatint

98. End of the day, Red Cliffs. £2.02.0 (unframed) | aquatint

99. Edge. £3.03.0 (unframed) | etching

100. Mt Warning, N.S.W. £4.04.0 (unframed) | aquatint

101. Ti-Tree. £1.01.0 (unframed) | etching

102. Between showers, Carcassonne. £4.04.0 (unframed) | aquatint

Walker, F. Sidney. (1888–1972)

103. Evening, Narooma. £1.11.6 (unframed) | etching

104. Sunlit gums. £1.11.6 (unframed) | etching

105. The Drying Creek. £1.11.6 (unframed) | etching

106. The Mill. £1.11.6 (unframed) | etching

107. Lagoon. £1.01.0 (unframed) | etching

108. Quiet Water. £1.01.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. The Spires of St. Paul's, Melbourne. £3.03.0 (unframed) | etching

110. Melbounre Grammar School. £3.03.0 (unframed) | etching

111. 'Queens', Melbourne University. £3.03.0 (unframed) | etching

112. Bookplate, 'Melba'. not for sale | etching

9th Xmas Exhibition of Etchings, Woodcuts and Pencil Drawings by leading Australian and Continental Artists Ninth Xmas Exhibition of Etchings, Woodcuts and Pencil Drawings by leading Australian and Continental Artists

Venues

Sedon Galleries [3]. (12 December 1933 – 24 December 1933)
Elizabeth House, 340 Collins St., Melbourne, Victoria, Australia

Works

HADEN, Francis Seymour (1818–1910)

1. Four Cows. 6 gns

2. Railway Encroachment. 10 gns

Lee Hankey, William. (1869–1952)

3. Madelaine. 5 gns

4. Seine near Rouen. 4 gns

5. Les Dunes. 4 gns

STRANG, William (1859–1921)

6. Boon Companions. 5 gns

7. A Matter of Business. 9 gns

Wintszler. (1933–)

8. Le Petit Marche. 3 gns

Squirrell, Leonard R. (1893–1979)

9. English Landscape. 5 gns

Robertson, David. (1886–1944)

10. Roman Fountain. 3 gns

11. Albano. 4 gns

Herman-Paul. (1864–1940)

12. The Temptation of Faust. 8 gns

Soper, Eileen. (1905–1990)

13. Leap Frog. 5 gns

Zipperer, Ernest. (1888–1992)

14. Bremen. 4 gns

Rosenberg, Louis. (1890–1983)

15. Rue du Pont Vieux, Nice. 4 gns

Brangwyn, Frank. (1867–1956)

16. Roundabout, Bruges. 7 gns

HANNSTAKER

17. Eve. 5 gns

KRUPP, J.

18. Berlin Alleyway. 5 gns

Simon, J.F. (1933–)

19. The Market. 5 gns

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

20. Hauling the nets. 6 gns

Boyd, Penleigh. (1890–1923)

21. Morning. 7 gns

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

25. The cliff 5½ gns (unframed)

26. The road. 5 gns (unframed)

27. Day's beginning. 4½ gns (unframed)

28. Perth (W.A.). 5½ gns (unframed)

29. Moonlit fields [plate for]. 5 gns (unframed)

30. The Karri Tree glade. 9 gns (unframed)

31. An Australian Summer Day. 10 gns (unframed)

32. Morning. 4 gns (unframed)

Herbert, Harold. (1891–1945)

33. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

34. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

35. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

36. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

37. Brixham trawlers 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

38. The haystacks 3 gns (framed)

LINDSAY, Lionel (1874–1961)

40. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

41. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

42. St Ferreol, Marseilles 5 gns (unframed)

43. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

44. Little market, San Gaetano, Naples 5 gns (unframed).

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

45. The vaquero 2½ gns (unframed)

46. Street Balcony, Guadelupe. 3 gns (unframed)

47. The bucking brumby. 2 gns (unframed)

48. A Pipe of Baccy. 2½ gns (unframed)

49. The Sailor's Return. 2 gns (unframed)

50. Miller Street. 8 gns (unframed)

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

51. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

52. Hornbill 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

53. Polar Bear 2 gns (unframed) | woodcut

54. Currassow and Oleander. 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

55. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

56. The crab 2 gns (unframed) | woodcut

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

57. The Ring 5 gns | woodcut

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

58. Hit. 3 gns

59. The shepherd. 3 gns

60. The labyrinth. 3 gns

GOODCHILD, John (1898–1980)

62. Australian Summer Landscape. 4 gns

63. Evening anchorage. 2½ gns

64. Solitude. 3 gns

65. Landscape, Otway Ranges. 5 gns

66. Barwon Heads. 4 gns

67. Otway Ranges. 4 gns

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

68. Yarra Mouth 3 gns

69. Ti-tree and Morning Light. 3 gns

70. Hick's Lane, Melbourne. 1½ gns

71. Swanston Street, Melbourne. 3½ gns

72. Home berths. 4 gns

73. Morning glow. 3 gns

74. Evening light. 3 gns

75. Cathedral Lane. 2 gns

76. The Old Gaol, Melbourne. 2 gns

77. Road and trees. 2 gns

78. Bourke Street, Melbourne. 3 gns

Wheeler, Charles. (1881–1977)

93. Rue Cortot, Montmartre. 4 gns (framed)

94. Luxenbourg Gardens. 4 gns (framed)

95. Cannon Street Station. 4 gns (framed)

96. Montmartre. 4 gns (framed)

Goodchild, Doreen. (1900–1998)

97. The Hoers. 5 gns (unframed)

Curtis, Robert Emerson. (1898–1996)

102. 'Magdeburg' Dredge, Yallourn. 6 gns

Campbell, Fred. (1851–1930)

103. Healesville. 4 gns

Rose, Herbert. (1890–1937)

104. St. Marks, Venice. 3½ gns (framed)

105. Piazza Umberto Desengano, Italy. 3½ gns (framed)

106. Rue des Tamis, Tunis. 4½ gns (framed)

107. Place St. Pierre, Chartres, France. 3 gns (framed)

108. Le Puy, France 3½ gns (framed)

109. The Zattere, Venice. 3½ gns (framed)

110. Cagnes, France. 3½ gns (framed)

111. Old gateway, Sisteron, France. 4½ gns (framed)

SHIRLOW, John (1869–1936)

116. The smithy, Ross, Tasmania. 2 gns (framed)

117. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

118. Corio Bay, Geelong. 3 gns (framed)

119. Yarraside. (2nd State). 3 gns (framed)

120. Gate of the City. 3 gns (framed)

121. Evening calm. 4 gns (framed)

LINDSAY, Norman (1879–1969)

122. Enter the Magicians. 15 gns (unframed)

123. Leda. 10 gns (unframed)

124. C. Sharp Minor Quartette. 15 gns (unframed)

125. Don Juan's garden. 8 gns (unframed)

126. Self Portrait. 15 gns (unframed)

127. The Innocents. 15 gns (unframed)

128. Desert Island. 6 gns (unframed)

Artist: LINDSAY, Norman | Title: Land of the Sylphs | Date: 1926 | Technique: drypoint, printed in blue ink, from one plate

129. Land of the Sylphs 10 gns (unframed)

130. Amazons. 6 gns (unframed)

131. The King, the Queen and the Lady. 6 gns (unframed)

132. Pan's Hour. 6 gns (unframed)

133. Armoured. 10 gns (unframed)

134. Capricio.

135. Toilet.

136. That Hidden Faun -.

GRIFFIN, Murray (1903–1992)

137. The white one. 3½ gns

138. Cinerarias. 3½ gns

139. The golden duck 3½ gns

140. The shorn ones. 3½ gns

141. Single roses. 3½ gns

Artist: GRIFFIN, Murray | Title: Wild duck | Date: 1933 | Technique: linocut, printed in colour, from multiple blocks

142. Wild duck 2½ gns

143. The Wistful Duck. 2½ gns

Dillon, Cyril. (1883–1974)

145. Melbourne Grammar School. 3 gns (unframed)

146. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

147. Entrance, old Colonial Treasury. 4 gns

148. Cumberland Street Hostel. 2½ gns

149. Argyle. 3 gns

150. Shade. 3 gns

151. Old road to Picton. 4 gns

152. Upper Fort Street. 2 gns

Parsons, E.

153. North East Valley, Dunedin, N.Z. 9 gns

154. Hartland. 8 gns

155. Clovelly. 8 gns

156. The Fishing Village. 8 gns

157. Gooseham Hill, near Welcombe. 7 gns

158. At Mead. 7 gns

159. English Landscape. 6 gns

160. The cottage in the bush. 6 gns

161. Clovelly. 6 gns

162. The Old Farm House. 6 gns

163. On the Divide. 5 gns

164. The old barn. 5 gns

165. Hope House. 5 gns

166. Ancients. 5 gns

167. Spain. 5 gns

168. Dandenong. 4 gns

169. Settler's Hut. 4 gns

PRESTON, Margaret (1875–1963)

170. Crows. 1 gn (framed)

171. Chorozema. 1 gn (framed)

172. Rock Lily. 1 gn (framed)

Artist: PRESTON, Margaret | Title: Banksia cobs | Date: 1933 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

173. Banksia cobs 3 gns (framed)

174. Koala. 5 gns (framed)

Artist: PRESTON, Margaret | Title: Wheelflower. | Date: 1929 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

175. Wheelflower. 5 gns (framed)

176. Australian Black Ducks. 3½ gns (framed)

177. Fuchsia. 3 gns (framed)

Artist: PRESTON, Margaret | Title: Dahlia and sunflower | Date: 1933 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

178. Dahlia and sunflower 2½ gns (framed)

179. Hakea. 2 gns (framed)

180. Magnolia. 1½ gns (framed)

181. Crotolaria. 1½ gns (framed)

182. Kookaburras. 1½ gns (framed)

183. Banksia, N.S.W. 1½ gns (framed)

184. Bossiaea. 1 gn (framed)

Cobb, Victor. (1876–1945)

185. Scotch College, Hawthorn. 2½ gns (framed)

186. St. John's Church, Toorak. 2½ gns (framed)

187. The archway, Scotch College. 3 gns (framed)

188. Norman Archway, City Courts. 2½ gns (framed)

Pratt, Douglas. (1900–1972)

189. Summer Shade. 2 gns (unframed)

190. Rustling in the Breeze. 1 gn (unframed)

191. Trees of the Tablelands. 3 gns (unframed)

192. The roadside pool. 1½ gns (unframed)

193. Still Waters. 3 gns (unframed)

194. Paddocks on the Plains. 3 gns (unframed)

Levick, T.F. (1864–1945)

200. Floodbury ferry, Evesham. 4 gns

201. The Stanley Hall, Chester. 4 gns

202. Market Square, Evesham. 4 gns

203. Cropthorn, Worcester. 4 gns

204. Cowl Street, Evesham. 4 gns

205. Mary Anderson's House. 4 gns

206. Greyfriars Street, Chester. 4 gns

207. Cafe, Broadway, Worcester. 4 gns

Dyson, Will. (1880–1938)

208. Mornin' White Trash!. 4 gns