Iffley Mill, Oxford

Artist: b'LONG, Sydney' | Title: b'Iffley Mill, Oxford' | Date: c.1919 | Technique: b'aquatint, printed in blue ink, from one copper plate' | Copyright: b'Reproduced with the kind permission of the Ophthalmic Research Institute of Australia'

Sydney Long (1871–1955)

Iffley Mill, Oxford

(c.1919)

aquatint

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Venues

Education Department Gallery (30 May 1927 – 18 June 1927)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Gallop, Herbert. (1890–1958)

Shade Ti Trees. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Pittwater shore. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Winter (Wentworth Stable). £2.12.6 (unframed) | etching

Ti trees. £2.02.0 (unframed) | etching

The sliprails. £2.12.6 (unframed) | etching | Print available for members of the Print Collectors Club.

The Sunlit Farmyard. £2.12.6 (unframed) | etching

The Dairy Farm. £2.12.6 (unframed) | drypoint | Print available for members of the Print Collectors Club.

Walker, F. Sidney. (1888–1972)

Phillip Street, Sydney. £2.12.6 (unframed) | etching

The Bridge Cranes, Dawes Pt. £1.11.6 (unframed) | etching

10. The Mill, Mt. Gilead, N.S.W. £1.11.6 (unframed) | etching

11. Low Tide at Newport. £1.11.6 (unframed) | etching

12. The river boat. £1.11.6 (unframed) | etching

13. The Top of the Ridge. £1.01.0 (unframed) | etching

14. Evening. £1.11.6 (unframed) | only 4 copies for sale | etching

15. Skyline Sketch. £1.01.0 (unframed) | etching

Ashton, Will. (1881–1963)

16. The old bridge, Sospel, France. £3.03.0 (unframed) | etching

17. Le Pont Neuf, Paris. £3.03.0 (unframed) | etching

18. Le Pont de Bois, Paris. £3.03.0 (unframed) | etching

19. The church at Damme, Belgium. £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Le portail, St. Maclou [the portal, St. Maclou] | Date: 1927 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate; charcoal additions

20. Le portail, St. Maclou [the portal, St. Maclou] £5.05.0 (unframed) | etching

21. Building the Harbour Bridge I. beginnings. £5.05.0 (unframed) | etching

22. Between showers, Carcassonne. £4.04.0 (unframed) | etching

23. Reflections of the past, Toulouse. £2.02.0 (unframed) | etching

24. Autrefois. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. Fantasy £12.12.0 (unframed) | etching

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

26.

The blacksmith's shop

£4.04.0 (unframed) | etching

27. Rose Bay. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

28. A windy day £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

29. Berowra Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

30. Friar Street, Worcester £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

31. Iffley Mill, Oxford £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

32. Dunster £4.04.0 (unframed) | etching

Morgan, Squire. (1886–1974)

39. Scots Church and Manse. £2.02.0 (unframed) | etching

40. The roadside shanty. £1.11.6 (unframed) | etching

41. Swamp Ti Trees, Avoca. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

42. Kookaburras. £1.11.6 (unframed) | etching

43. Winswept Trees, Avoca. £1.01.0 (unframed) | etching

Walker, Leslie James. (1894–1951)

44. Morning. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

45. The Old Farmhouse, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

46. Kurrajong. £2.12.6 (unframed) | Print available for members of the Print Collectors Club. | etching

47. The road to Forster. £1.11.6 (unframed) | etching

48. An old corner, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

49. Deep Creek, Narrabeen Lake. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

50. A Landscape, Forster. £1.01.0 (unframed) | etching

51. A glimpse of the Harbour. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Percival, C.H. (1891–1940)

52. The Last Tram (from the original Bulletin drawing). £3.03.0 (unframed) | etching

53. Camels Drinking, Egypt. £1.11.6 (unframed) | etching

54. Quiet Creek. £2.02.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

55. Archway near Stratford, England. £2.02.0 (unframed) | etching

56. The Old Shed. £2.02.0 (unframed) | etching

57. P.L.C. Pymble. £1.15.6 (unframed) | etching

Reid, D.G. (1862–1933)

68. 'Morning', Broughton Mill Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

69. Cottage and Girl. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

70. St. Stephen's, Newtown. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

71. In Leafy Bower. £2.02.0 (unframed) | etching

72. The Ironbark Tree. £2.02.0 (unframed) | etching

73. The Pig Farm. £2.02.0 (unframed) | etching

Crisp, James. (1879–1962)

74. Peck's Farm, Kurrajong Heights. £2.02.0 (unframed) | etching

75. The Pack Horse. £1.11.6 (unframed) | etching

76. The Strength of the Free. £1.01.0 (unframed) | etching

77. Pelican Pond (2nd state). £1.01.0 (unframed) | etching

Coulter, Reg W. (1904–)

78. The King is indisposed. £5.05.0 (unframed) | etching

79. Treasure Haven. £3.03.0 (unframed) | etching

80. East is West. £3.03.0 (unframed) | etching

81. Decoration. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

82. The Bush, New South Wales. £4.04.0 (unframed) | etching

83. Fording the Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

84. Pastoral, North West. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

85. Street in Cairo, Egypt. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

86. Venice. £2.12.6 (unframed) | etching

87. Ann Hathaway's Cottage. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: Friedensen, Thomas. | Title: Young Australia. | Date: 1926 | Technique: drypoint printed in brown ink with plate-tone

88. Young Australia. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

89. Archway, Riviera. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

90. A pipe of 'baccy'. £2.12.6 (unframed) | etching

91. Kookaburras. £2.02.0 (unframed) | etching

92. Kangaroos. £2.02.0 (unframed) | etching

93. Harnessing. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

94. Hobson's Bay. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

95. Melbourne from South Yarra. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Warner, Alfred Edward. (1879–1968)

96. Argyle. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

97. Near Nymagee. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Scott, Eric. (1892–1978)

98. Notre Dame (facade). £3.03.0 (unframed) | etching

99. Notre Dame (abside). £2.02.0 (unframed) | etching

100. La Chappelle. £4.04.0 (unframed) | etching

101. Winter sun (midi). £3.03.0 (unframed) | etching

102. Moret-sur-Loing. £3.03.0 (unframed) | etching

103. Portre de Guillaume (Chartres). £4.04.0 (unframed) | etching

104. Beauvais. £3.03.0 (unframed) | etching

105. Notre Dame. £1.01.0 (unframed) | etching

106. Les Tours de Chartres. £1.01.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

107. Nocturne. £1.01.0 (unframed) | etching

108. Windmill, Mt. Gilead. £1.01.0 (unframed) | etching

109. Old cottage, St. Mary's. £1.01.0 (unframed) | etching

Allcot, John (1888–1973)

110. H.M.S. Roebuck. £1.11.6 (unframed) | etching

111. H.M.S. Sirius. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

112. Cellars, Port Arthur, Tas. £1.01.0 (unframed) | etching

Goode-Smith, W.M. (1875–1903)

113. Bridge Construction, Dawes Pt. £1.01.0 (unframed) | etching

Nock, Lucy. (1866–1975)

114. The Old Lodge, Wentworth House. £1.01.0 (unframed) | etching

Burridge, Fred. (1869–1945)

115. Evening. £5.05.0 (unframed) | etching

116. Lancaster. £5.05.0 (unframed) | etching

117. (Final Print). £10.10.0 (unframed) | final print for sale | etching

OSBORNE, Malcolm (1880–1963)

118. Donjon, Loches. £5.05.0 (unframed) | etching

119. Nathaniel Sparkes. £6.06.0 (unframed) | etching

120. Dordrecht. £6.06.0 (unframed) | etching

121. Mt. St. Michel. £5.05.0 (unframed) | etching

122. Sir Edward Clarke. £7.07.0 (unframed) | etching

123. Sunlit land. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

124. High tide. £7.07.0 (unframed) | etching

125. The Black Island. £7.07.0 (unframed) | etching

126. The Mad King's Castle. £5.05.0 (unframed) | etching

127. The Gathering Storm, Lake Garda. £4.04.0 (unframed) | etching

128. Torcello. £3.03.0 (unframed) | etching

129. Hindhead. £4.04.0 (unframed) | etching

Hardie, Martin. (1875–1952)

130. St. Barnabas', Venice. £5.05.0 (unframed) | etching

131. Canal, Chioggia. £5.05.0 (unframed) | etching

Exhibition of Etchings by the Australian Painter-Etchers' Society

Venues

New Gallery [Melbourne]. (11 December 1928 – 24 December 1928)
107 Elizabeth St., (Robertson's Building), Melbourne, Victoria, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. £1.11.6 (unframed) | etching

The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

St. Michael's Church, Rose Bay. £1.11.6 (unframed) | etching

The Lakes Entrance, Victoria. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Farm corner. £1.11.6 (unframed) | etching

A glimpse. £1.01.0 (unframed) | etching

Young Kookaburras. £1.01.0 (unframed) | etching

10. Hauling timber, Jamberoo to Nowra. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

11. Old mill buildings, Hobart. £2.02.0 (unframed) | etching

12. St. Thomas' Church, North Sydney. £1.01.0 (unframed) | etching

13. On an Old Highway, Tasmania. £1.01.0 (unframed) | etching

14. The wind bloweth. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

15. Susan Island. £2.12.6 (unframed) | etching

16. On the Banks of the Clarence. £2.02.0 (unframed) | etching

17. The end of the village. £1.01.0 (unframed) | etching

18. The road to Forster. £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

19. Venice. £3.03.0 (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

20. Caudebec, Normandy. £3.03.0 (unframed) | etching

21. The Wollondilly, N.S.W. £3.03.0 (unframed) | etching

22. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching

23. Building the bridge, Sydney Harbour. £3.03.0 (unframed) | etching

24. A pipe of 'baccy'. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

25. Xmas Eve. £10.10.0 (unframed) | etching | Collection, Sydney National Gallery.

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

26. His ain fireside. £4.04.0 (unframed) | etching

27. Carlyle's House, Chelsea. £4.04.0 (unframed) | etching

28. The Storm. £3.03.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

29. Lakeshore. £4.04.0 (unframed) | etching

30. Windswept. £3.03.0 (unframed) | etching

31. Dairy Farm. £2.02.0 (unframed) | etching

32. The farmyard. £2.02.0 (unframed) | etching

33. Spreading Ti-Tree. £1.12.6 (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

34. Sunlight and ships £3.03.0 (unframed) | etching | ollection:Melbourne Art Gallery.

35. The Scarred Veteran. £3.03.0 (unframed) | etching

36. Hilltop. £2.12.6 (unframed) | etching | Collections, Adelaide and Melbourne Art Galleries.

37. The Thatched Stable. £1.11.6 (unframed) | etching

38. The two gums. £1.01.0 (unframed) | etching

39. Stormy sunset £1.01.0 (unframed) | etching

40. At Oaklands. £1.01.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. Solitude. £2.02.0 (unframed) | etching

42. 'Finance' (Collins St., Melbourne). £1.01.0 (unframed) | etching

43. German Charley's shanty. £1.11.6 (unframed) | etching

Goodhart, J.C. (1873–1952)

44. Molle Street Bridge, Hobart. £2.02.0 (unframed) | etching | Collection, Adelaide Art Gallery.

45. The old Ross tannery. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

46. 'De Bavay's', Broken Hill. £2.02.0 (unframed) | etching

47. 'Conquest' (Broken Hill Mines). £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

48. The Hawkesbury River Landscape. £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The old shot and powder works £4.04.0 (unframed) | etching

51. Christchurch. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Iffley Mill, Oxford £3.03.0 (unframed) | etching

53. The Parchment Mills. £4.04.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

54. The Rocks, Sydney. £1.11.6 (unframed) | etching

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

55. Bulletin Place, Sydney £1.11.6 (unframed) | etching

56. St. Mark's, Darling Point. £1.11.6 (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

57. Nude. £1.11.6 (unframed) | etching

58. The Joseph's Coat. £2.02.0 (unframed) | etching

59. Nocturne. £3.03.0 (unframed) | etching

Paul, Mick. (1888–1945)

60. Lachlan Macquarie. £2.02.0 (unframed) | etching

Reid, D.G. (1862–1933)

68. A Fisherman's Haven. £2.02.0 (unframed) | etching

69. The Windmill. £1.10.6 (unframed) | etching

70. The Gothic Spire. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

71. Australian sunrise. £3.03.0 (unframed) | etching

72. Riverside Trees. £2.10.0 (unframed) | etching

73. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

74. Roadside trees £2.02.0 (unframed) | etching

76. 'Evening', Narrabeen Lakes. £1.11.6 (unframed) | etching

77. 'Margarets', Lake Macquarie. £1.01.0 (unframed) | etching

78. 'The Vista'. £1.11.6 (unframed) | etching

79. River Oaks. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

80. In the Old Village, Cagnes, France. £2.12.6 (unframed) | etching

Artist: Rose, Herbert. | Title: Le Puy, France | Date: c.1927 | Technique: etching, printed in black ink, from one plate

81. Le Puy, France £3.03.0 (unframed) | etching

82. The Zattere, Venice. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

83. Women's College, Sydney University. £3.03.0 (unframed) | etching

84. St. Andrew's College, Sydney University. £3.03.0 (unframed) | etching

85. Readitt's Bend. £3.03.0 (unframed) | etching

86. The willows. £2.02.0 (unframed) | etching

87. The Mill Pastoral. £2.02.0 (unframed) | etching

88. Water carters. £2.02.0 (unframed) | etching

89. The beach. £1.11.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Mirage | Date: 1928 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate

95. Mirage £3.03.0 (unframed) | etching

96. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | coloured etching

97. Melbourne. £3.03.0 (unframed) | aquatint

98. End of the day, Red Cliffs. £2.02.0 (unframed) | aquatint

99. Edge. £3.03.0 (unframed) | etching

100. Mt Warning, N.S.W. £4.04.0 (unframed) | aquatint

101. Ti-Tree. £1.01.0 (unframed) | etching

102. Between showers, Carcassonne. £4.04.0 (unframed) | aquatint

Walker, F. Sidney. (1888–1972)

103. Evening, Narooma. £1.11.6 (unframed) | etching

104. Sunlit gums. £1.11.6 (unframed) | etching

105. The Drying Creek. £1.11.6 (unframed) | etching

106. The Mill. £1.11.6 (unframed) | etching

107. Lagoon. £1.01.0 (unframed) | etching

108. Quiet Water. £1.01.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. The Spires of St. Paul's, Melbourne. £3.03.0 (unframed) | etching

110. Melbounre Grammar School. £3.03.0 (unframed) | etching

111. 'Queens', Melbourne University. £3.03.0 (unframed) | etching

112. Bookplate, 'Melba'. not for sale | etching

Unknown

Venues

Venue Not Identified. (1932 – 1932)

Works

LONG, Sydney (1871–1955)

53. Radnage landcape. £4.04.0

Artist: LONG, Sydney | Title: The land of the lavender | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. The land of the lavender £4.04.0

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

55. Lincoln £4.04.0

56. Feeding time. £3.03.0

57. The Harbour from Berry's Bay. £3.03.0

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

58. Circular Quay, Sydney £4.04.0

59. Shot and Powder Works on the Thames. £3.03.0

60. From Blackfriars Bridge. £3.03.0

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

61. Young Kookaburras £4.04.0

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

62. The deserted selection. £3.03.0

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

63. The passing storm £5.05.0

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

64. Iffley Mill, Oxford £3.03.0