The Linocuts of Ethel Spowers: A Vision Apart.

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Title

The Linocuts of Ethel Spowers: A Vision Apart.

Author

Lorraine Sim

Details

Modernist Cultures, volume 15, issue 3, pages 354-376, Available Online, August 2020

Publication date

August 2020

ISBN

ISSN 2041-1022

Type

Article

Language

English

Country of context

Australia

Subject category

Australia, Art style: Grosvenor school linocuts

Abstract

This essay discusses the colour linocuts of the Melbourne-born artist and illustrator Ethel Spowers. Although Spowers was a key figure in modern art and design in Australia during the 1920s and 1930s, to date her linocuts have received little critical attention and are appraised only briefly and collectively as part and parcel of the Grosvenor School of Modern Art in London, where she studied for several months under the guidance of Iain Macnab and Claude Flight. This essay argues that her modernism provides an important contrast and supplement to accounts of modern everyday life offered by her British and European colleagues at the School, and canonical British and Anglo-American modernism more generally. Rejecting a view of modern life defined in terms of homogenisation, social alienation and adult experience, I discuss how Spowers's rhythmic compositions express choreographies of community and positive affect, and focus on the experience of children. [Modernist Cultures]

Last Updated

26 May 2022