Title

Burnyila, Roy.

Author

Australian Art Print Network.

Source

[Not applicable]

Publication date

2001

Type

Biography

Language

English

Country of context

Australia

Full text

Roy Burnyila

Roy Burnyila was born in the Northern Territory of Australia. An intermittent artist, he paints the traditional subject matter of his group in a distinctive and individual style.

His work was included in several early and important exhibitions of Aboriginal art including the Mulgurrum Outstation exhibition in Melbourne in 1983 and the show Objects and Representations from Ramingining at the Power Institute of Contemporary Art, Sydney in 1984.

As a dancer he has travelled with Aboriginal dance groups through south-eastern Australia. In 1985 he lived with the Aboriginal community in Campbelltown, NSW as artist-in-residence.

Burnyila was also one of the artists to contribute several burial poles, to the Aboriginal Memorial an installation made from 200 painted hollow logs, symbolising 200 years of white occupation of Australia, which was part of the 1988 Biennale of Sydney. This installation has since been exhibited overseas including the Hermitage Museum in St Petersburg and is on permanent display in the National Gallery of Australia in Canberra. Roy, together with fellow artists David Malangi (deceased) and George Milpurrurru (deceased), sang to consecrate the placing of the poles in the National Gallery.

Burnyila’s style is distinctive in his use of a light yellow and white palette, offset by the black he uses on the cross-hatching, or rarrk, the technique typical to Arnhem Land art. He uses single-colour line cross-hatching instead of the more familiar grouping of lines by colour. The number of lines in a particular colour together with the angling of the lines to form the crosshatching design is like the signature of each artist.

Burnyila’s people, the Ganalbingu, are associated with the Arafura Swamp and its creatures including geese, crocodiles, water lilies, snakes and fish. Burnyila’s swirling cross-hatching beautifully captures this environment. In 1997 he participated in a series of workshops held in Ramingining, by printmaker Theo Tremblay, during which they produced an important series of prints, ‘The Ramingining Print Suite’ based on the Wagilag Sisters creation story, one of the most important creation stories in this region. This workshop also represents a unique collaboration by celebrated artists.

Biography courtesy of The Australian Art Print Network, 2001.
© Australianprints

Last Updated

03 Oct 2024