Rocks Resumption, with St. Philip's Church

Primary Artist

Lionel Lindsay (1874–1961)

Title

Rocks Resumption, with St. Philip's Church

Reference

Mendelssohn (1987), 151

Work number

Queale bequest (1982), 488

Date made

1917

Place made

Australia, Australia, New South Wales, Sydney View on map Close map

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Category

Print

Print type

intaglio

Technique

etching and drypoint, printed in brown ink, from one plate

Matrix size

30.2 x 19.6 cm (plate-mark)

Support

cream laid paper

Support size

35.0 x 23.0 cm (sheet)

Manufacturers mark

no manufacturer's mark

State

2nd state of 2; published state

Impression

32/50

Edition information

1st state, a few proofs; 2nd state, edition of 50

Inscriptions or device by artist or designated agent

Signed lower left below plate-mark in black pencil, 'Lionel Lindsay'. Not dated. Inscribed lower right below plate-mark in black pencil, 'No.32'. Inscribed [on sheet now detached] in black pencil, 'Sydney / Rocks Resumption £2.10 1953'.

Inscriptions or device subsequently added to the work

Inscribed with Queale Bequest reference number verso lower right in black pencil, 488

Subject description

Urban scene of workers demolishing buildings for land resumption at The Rocks, Sydney with spires of St. Philip's Anglican Church, York Street in the background.

Collection

National Gallery of Australia

IRN

92424

Accession number

83.641

Accession method

Bequest

Meeting

Meeting 10, 1982/83 (1983-05-09)

Provenance

Alan Queale, Brisbane. Bequeathed to the National Gallery of Australia by Alan Queale, Brisbane, 1982. Alan Queale Bequest accepted by the National Gallery of Australia, 1983.

Credit line

Bequest of Alan Queale, 1982.

Copyright

Courtesy of the National Library of Australia

Subject categories

Australia, Art style: Painter-etchers 1860s-1938 | Collection: The Alan Queale collection of Lionel Lindsay etchings and wood-engravings, acquired 1982.

Country of context

Australia

Creators

LINDSAY, Lionel | (1874–1961) Australian | Male | artist

Last Updated

08 Jan 2013