not titled

Primary Artist

Barbara Hanrahan (1939–1991)

Title

not titled

Date made

1966

Place made

Europe, England, Greater London, London, Central School of Arts and Crafts View on map Close map

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Category

Print

Print type

planographic

Technique

lithograph, printed in red ink, from one plate

Matrix size

55.8 x 40.6 cm (printed image)

Support

thick white wove paper

Support size

64.2 x 50.6 cm (sheet)

State

published state

Impression

artist's proof

Inscriptions or device by artist or designated agent

Inscribed lower right below image in black pencil, 'Barbara Hanrahan 1966'. Inscribed lower left below printed image in black pencil, 'Artists Proof'.

Collection

National Gallery of Australia

IRN

115

Accession number

94.98

Accession method

Gift

Meeting

Meeting 1, 1994/95 (1994-08-24)

Provenance

Gift to the Australian National Gallery, from Jo Steele (partner of the late Barbara Hanrahan), Adelaide, 1994.

Credit line

Gift of Jo Steele 1994

Country of context

Australia

Notes

The print is based on Apollinaire's poem "The Betrothal", which appears u.l.c. and c.c. and reads "In the end lies no longer/ frighten me There is the/ moon cooking like a fried/ eg This necklace of waterdrops is for the drowned/ girl And here is my bouquet. of Passion flowers Which/Put forth tenderly two/ crowns of thorns The str-/eets are wet with the rain/ of not long since disappearing/ All the holy day All the/ holy day I have walked/ and sung A lady leaning/ from her window watched/ me a long time As I walk- /ed away singing/ Apollinaire".

Creators

HANRAHAN, Barbara | (1939–1991) Australian | Female | artist

Last Updated

06 Jan 2013