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Artist: AMOR, Rick | Title: The beast. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Artist: RADO, Ann | Title: The beast that doesn't exist... | Date: 1996, 14 February | Technique: lithograph (maniere noir), printed in black ink (reverse image), from one stone

Artist: SHEARER, Mitzi | Title: the beauty contest | Date: 1978

Artist: Faerber, Ruth. | Title: The becoming | Date: 1975 | Technique: lithograph, printed in black ink, from multiple paper plates

Artist: Spowers, Ethel. | Title: The bee. | Date: c.1925 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Artist: Buckley, Sue. | Title: The beehive. | Date: 1980 | Technique: woodcut, printed in colour, from multiple blocks; lithograph, printed in colour; screenprinted, printed in colour | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Artist: Hawkins, Weaver. | Title: The beginning | Date: 1963 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: The Estate of H.F Weaver Hawkins

Artist: JENUARRIE | Title: The beginning II | Date: 1986 | Technique: llinocut, printed in black from one block

Artist: Hirschfeld Mack, Ludwig. | Title: The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso} | Date: (1960-65) | Technique: transfer print; watercolour addition (recto)

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1997, June | Technique: linocut and woodblock, printed in colour, from four blocks

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1996 | Technique: linocut, printed in black ink, from one block

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: etching and drypoint, printed in sepia ink, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The belly of Capitalism is never full | Date: 1978 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1961 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Title: The bent tree, Tuggerah Lake | Date: c.1925 | Technique: etching, printed in black ink, from one plate

Artist: WORSTEAD, Paul | Title: The best lack all conviction | Date: 1989 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Artist: Upward, Peter. | Title: The bewitched Devi Kunti angrily orders her son Sadewa sacrificed | Date: 1974 | Technique: screenprint, printed in colour, from 13 stencils

Artist: Coburn, John. | Title: The Biennale of Sydney Opera House, November 23, 1973 | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

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