Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: I

IMAGES 481 – 500 of 723

Sort By:

Results per page:

Artist: Hodgkinson, Frank. | Title: Inside the landscape II | Date: 1971 | Technique: drypoint, printed in colour, from one aluminium plate by the oil viscosity techinque

Artist: Hodgkinson, Frank. | Title: Inside the landscape III | Date: 1971 | Technique: hard ground, deep etch, printed in colour, from one plate by the oil viscosity technique

Artist: Hodgkinson, Frank. | Title: Inside the landscape III | Date: 1971 | Technique: hard ground, deep etching, printed in magenta

Artist: Hodgkinson, Frank. | Title: Inside the landscape III | Date: 1971 | Technique: hard ground etching and deep etching, printed in two colours by the oil viscosity method, from one plate

Artist: Hodgkinson, Frank. | Title: Inside the landscape IV | Date: 1971 | Technique: hard ground etching and deep etching, printed in burgandy, from one plate

Artist: Hodgkinson, Frank. | Title: Inside the landscape IV | Date: 1971 | Technique: hard ground etching and deep etching, printed by the oil viscosity method, from one plate

Artist: Hodgkinson, Frank. | Title: Inside the landscape V | Date: 1971 | Technique: hardground, deep etch, printed in colour the oil viscosity technique, from one plate

Artist: HANLY, Patrick | Title: Inside the garden | Date: 1968 | Technique: screenprint, printed in colour, from one stencil; line block, printed in colour, from multiple blocks

Artist: EWINS, Rod | Title: Insight (The Residence IV). | Date: 1983, June | Technique: photo-etching and aquatint, printed in black ink, from one plate

Artist: Winter, Cherie. | Title: Insignificance | Date: 2000, November | Technique: drypoint, printed in colour, from two plates

Artist: Thorpe, Lesbia. | Title: Inspiration for a lighthouse | Date: 1980 | Technique: screenprint, printed in colour, from five stencils

Artist: ARNOLD, Raymond | Title: Installation, Chameleon - Victoria Cattoni, Deborah St Leger, Sandra Direen and Sarah Epskamp. | Date: 1986 | Technique: screenprint, printed in colour, from one stencil

Artist: JACKS, Robert | Title: Installations. 1971-1973 | Date: 1974 | Technique: offset-lithograph

Title: Instructions for surviving the zombie apocalypse: In rhyming couplets. | Date: 2010

Artist: Snell, Ted. | Title: Instruments of the Passion I. | Date: 1985 | Technique: linocut, printed in colour, from two blocks

Artist: Snell, Ted. | Title: Instruments of the Passion II. | Date: 1985 | Technique: linocut, printed in colour, from two blocks

Artist: Snell, Ted. | Title: Instruments of the Passion III. | Date: 1985 | Technique: linocut, printed in colour, from two blocks

Artist: Snell, Ted. | Title: Instruments of the Passion IV. | Date: 1985 | Technique: linocut, printed in colour, from two blocks

Title: Intaglio medal | Date: 1965 | Technique: etching, printed in black ink with plate-tone, from one plate

Artist: Ricardo, Geoff. | Title: Intangible means | Date: 1993 | Technique: burnished-aquatint, printed in black ink from one plate

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login