Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

IMAGES 28701 – 28720 of 33490

Sort By:

Results per page:

Artist: Conder, Charles. | Title: The maypole. | Date: 1905 | Technique: transfer-lithograph, printed in black ink, from one stone

Artist: GRIFFITH, Pamela | Title: The Meadow Argus Butterfly and Kangaroo Paws | Date: 1987 | Technique: hardground-etching and aquatint, printed in colour, from two zinc plates | Copyright: © Pamela Griffith

Artist: Ham Brothers. | Title: The mechanic's hall, Melbourne. | Date: 1850 | Technique: engraving, printed in black ink, from one copper plate

Artist: FULLWOOD, A.H. | Title: The Medway Valley, Kent. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

Artist: Dickerson, Robert. | Title: The meeting | Date: 2000, July | Technique: sugar-lift etching, printed in black ink, from one zinc plate

Artist: McGrath, Raymond. | Title: The Meeting | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Artist: AMOR, Rick | Title: The meeting. | Date: 1995 | Technique: screenprint, printed in purple and yellow ink, from two screens

Artist: HARRALL, G.H. | Title: The Melbourne Exhibition Building. | Date: 1880 | Technique: wood-engraving, printed in black ink, from one block

Artist: Gill, S.T. | Title: The Melbourne Exhibition Building, northwest angle. | Date: 1854 | Technique: lithograph, printed in black ink, from one stone

Artist: Storrier, Tim. | Title: The memory - Camp 7 | Date: 1977 | Technique: softground etching, printed in black ink, from one plate | Copyright: © Tim Storrier

Artist: RICHARDSON, Berris | Title: The Metamorphosis of Mrs Morris III (self portrait) | Date: 1974 | Technique: lithograph, printed in black ink, from one stone [or plate]

Artist: WILLIAMS, Fred | Title: The Metropolitan | Date: 1955 | Technique: etching, aquatint, engraving and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Title: The Mewstone, bearing S.E., as seen from the vessel between the rock and the land. | Date: 1831 | Technique: engraving, printed in black ink, from one copper plate

Artist: Trenfield, Wells. | Title: The Milky Way on the Murray River | Date: 1982, June | Technique: lithograph, printed in colour from multiple stones

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Garrett, Tom. | Title: (The mill by moonlight) | Date: 1930s | Technique: monotype, printed in colour

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in black ink, from one block

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in colour, from four blocks

Artist: UNKNOWN | Title: The mill, Braidwood | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

Artist: Dickerson, Robert. | Title: The mime. | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one zinc plate

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login