Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

IMAGES 27901 – 27920 of 33489

Sort By:

Results per page:

Artist: SIDMAN, William | Title: The dead sparrow | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

Artist: Palmer, Ethleen. | Title: The dead trees | Date: 1949 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Newmarch, Ann. | Title: The death card | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Coveny, Christopher. | Title: The death of Foulon (Tale of Two Cities). | Date: 1882 | Technique: etching, printed in black ink, from one plate

Artist: Barwell, Jennifer. | Title: (The death of Lazarus). | Date: (1955) | Technique: softground etching and aquatint printed in brown ink from one plate

Artist: Haxton, Elaine | Title: The death of minotaur | Date: 1967 | Technique: etching, drypoint and aquatint

Artist: Morububuna, Martin. | Title: The death of Mitikata | Date: 1983 | Technique: screenprint, printed in colour inks, from six screens

Artist: White, Susan Dorothea. | Title: The death of St. Francis of Australia | Date: 1982 | Technique: lithograph, printed in colour, from multiple stones

Artist: MACKINOLTY, Chips | Title: The death of the artist as hero - Bernard Smith: Power Lecture in Contemporary Art. | Date: 1976 | Technique: screenprint, printed in colour, from two stencils

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The death of the artist as hero - Bernard Smith: Power Lecture in Contemporary Art. | Date: 1976 | Technique: screenprint, printed in colour, from two stencils

Artist: Morububuna, Martin. | Title: The death of Touluwa | Date: 1977 | Technique: lithograph, printed in black ink, from one plate

Artist: Fieldsend, Jan. | Title: The Deceptive Contraceptive - Depo-provera. | Date: 1988, September | Technique: screenprint, printed in colour, from four stencils

Artist: Blackburn, Vera. | Title: The deer. | Date: 1986 | Technique: linocut, printed in black ink, from one block | Copyright: © Vera Blackburn

Artist: MACKINOLTY, Chips | Title: The defeat of labour is not the end-Its just the beginning ...Organise! | Date: 1975 | Technique: screenprint, printed in colour, from two stencils

Artist: MACKINOLTY, Chips | Title: The defeat of labour is not the end-Its just the beginning ...Organise! | Date: 1975 | Technique: screenprint, printed in colour, from two stencils

Artist: Nolan, Sidney. | Title: The defence of Aaron Sherritt | Date: 1970-71 | Technique: screenprint, printed in colour, from multiple stencils

Artist: LINDSAY, Lionel | Title: The demon. | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The demon | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: Bell, George.. | Title: (The departure). | Technique: linocut, printed in black ink, from one block

Artist: Bell, George.. | Title: (The departure). | Technique: linocut, printed in black ink, from one block

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login