Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

IMAGES 25281 – 25300 of 33489

Sort By:

Results per page:

Artist: Borsato, Adrian. | Title: Sonny Terry and Brownie McGee | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Borsato, Adrian. | Title: Sonny Terry and Brownie McGee | Date: c.1970s | Technique: screenprint, printed in colour, from multiple stencils

Artist: UNKNOWN | Title: Sons of Anywhere. A concert evening. The Chapter House. | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil

Artist: GRIFFITH, Pamela | Title: Sooty Tern or Sterna fuscata | Date: 1991 | Technique: lithograph drawn with Korn's litho crayon, printed in black ink, from one course ground stone; hand tinted with watercolour by artist | Copyright: © Pamela Griffith

Artist: HALL, Fiona | Title: Sorbus aria - Whitebeam (French currency) | Date: 2000 - 2002 | Technique: gouache | Copyright: © Fiona Hall

Title: Sorcerer | Date: 1968 | Technique: etching and aquatint, printed in black ink, from one plate

Artist: Buckley, Sue. | Title: Sorcery. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Title: Sore eros | Date: 1992 | Technique: etching, printed in black ink, from one plate; linocut, printed in colour, from two blocks

Title: Sore eros [colophon] | Date: 1992 | Technique: letterpress text, printed in black ink

Artist: Davies, L. Roy. | Title: (Sorrow). | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

Artist: Wood, Rex. | Title: Sorrow. | Date: about 1934 | Technique: linocut, printed in black ink, from one block

Artist: Buckley, Sue. | Title: Sorrowful honan boys. | Date: 1962 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Artist: HANRAHAN, Barbara | Title: Sorrowing woman | Date: 1960 | Technique: woodcut, printed in colour, from one block

Artist: COLEING, Tony | Title: Sorry, not tonight, I've got a headache. | Date: 1986 | Technique: aquatint, printed in black ink, from one plate

Artist: LINDSAY, Lionel | Title: Sospel, France | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: Sospel, France | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Adams, Tate. | Title: (Soul Cages). | Date: 1957-58 | Technique: lithograph, printed in blue ink, from one zinc plate

Artist: Adams, Tate. | Title: (Soul Cages). | Date: 1957-58 | Technique: lithograph, printed in blue ink, from one zinc plate

Artist: Adams, Tate. | Title: Soul Cages. | Date: 1957-58 | Technique: lithograph, printed in black ink, from one zinc plate

Artist: MEYER, Bill | Title: Soul control | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate | Copyright: © Bill Meyer

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login