Sedon Galleries [2]

Sedon Galleries [2] | SEDON galleries?

WORKS 101 – 120 of 368 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Hornbill

(1931)

wood-engraving

Leslie Ward (1895–1978)

House at Worth, Maltravers.

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

House on the hill.

(1925)

linocut

W. John Hosking (1930–)

Hush! the Mantos Prays.

W. John Hosking (1930–)

Hush! the Mantus Prays.

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

In Morocco

(c.1928)

etching

John Goodchild (1898–1980)

Italian markets, Rome.

Eric Slater (1896–)

Japanese Bush Lanterns.

(by 1932)

Norman Lindsay (1879–1969)

Julia Fisk and Mr Brish.

John Goodchild (1898–1980)

King Street, Sydney.

C. Fitzgerald

La Confidence.

mezzotint

Charles Wheeler (1881–1977)

La Tour De L'Horloge, Dinan.

Sidney Tushingham (1884–1968)

Landscape.

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

John Goodchild (1898–1980)

Landscape harmony

(1926)

lithograph

Sydney Long (1871–1955)

Landscape, Narrabeen.

John Goodchild (1898–1980)

Landscape, Otway Ranges.

John Shirlow (1869–1936)

Laneway, St Paul's Cathedral, Melbourne.

Norman Lindsay (1879–1969)

Leda.

(1927)

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

John Goodchild (1898–1980)

Light through trees

(1926)

lithograph

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

Lime kiln cottage

(1923)

etching