Sedon Galleries [2]

Sedon Galleries [2] | SEDON galleries?

WORKS 41 – 54 of 54 IMAGES ONLY
Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The leaning tree

(c.1927)

aquatint

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

The man in black.

(1925)

linocut

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The old gum

(c.1928)

etching

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

John Goodchild (1898–1980)

The port, London | The pool of London | The pool, London

(1928)

drypoint

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

M. Napier Waller (1893–1972)

The Ring | Sigurd

(1923)

wood-engraving

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

Christian Waller (1894–1954)

The Sorceress.

(c.1922)

linocut

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Tunis Gate, Kairouan

(1929)

drypoint

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The vaquero

(1923)

etching

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

Norman Lindsay (1879–1969)

Unknown seas

(1922)

etching

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

White goats

(1925)

wood-engraving

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

John Goodchild (1898–1980)

Yarra Mouth

(1936)

aquatint