Sedon Galleries [2]

Sedon Galleries [2] | SEDON galleries?

WORKS 21 – 40 of 56 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Old Antequera, Andalucia, Spain | Old Antequera, Andalusia [sic], Spain

(1929)

drypoint

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Old barn, Dinkelsbuhl, Bavaria

(1928)

drypoint

Artist: Cobb, Victor. | Title: Old St. James' Cathedral. | Date: 1912 (dated)

Victor Cobb (1876–1945)

Old St. James' Cathedral. | Old St. James' Melbourne.

(1912 (dated))

Artist: LINDSAY, Lionel | Title: Owls | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Owls

(1932)

wood-engraving

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

Piccadilly Circus (under Reconstruction)

(1927)

etching

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Polar Bear

(1931)

wood-engraving

Artist: Griffin, Murray. | Title: Regent bower birds [1]. | Date: 1932 | Technique: linocut, printed in colour, from multiple blocks

Murray Griffin (1903–1992)

Regent bower birds [1].

(1932)

linocut

Artist: GOODCHILD, John | Title: Riverside trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

John Goodchild (1898–1980)

Riverside trees

(1926)

lithograph

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

San Lorenzo in the Forum, Rome | A church on the Forum

(1928)

drypoint

Artist: Montgomery, Anne. | Title: Shadow and sunlight | Date: 1932 | Technique: etching, printed in brown ink with plate-tone on one plate

Anne Montgomery (1908–1991)

Shadow and sunlight

(1932)

etching

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

St Ferreol, Marseilles

(1927)

drypoint

Artist: Cobb, Victor. | Title: The approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 (dated) | Technique: etching, printed in warm black ink, from one plate

Victor Cobb (1876–1945)

The approach to the old stables of Cobb and Co., Melbourne.

(1926 (dated))

etching

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The barber of Bou-Saada, Algeria

(1929)

etching

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Bassra guard | The Bazra Guard

(1929)

drypoint

Artist: Long, Sydney. | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The blacksmith's shop

((1928))

line-etching

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The broken fence

(1923)

wood-engraving

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The broken plough

(c.1923)

etching

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The clipped wing | Depression | Melancholy | The broken wing

(1931)

wood-engraving

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The crab | The blue crab

(1931)

wood-engraving