Venue Not Identified.

WORKS 41 – 60 of 244 IMAGES ONLY

Victor Cobb (1876–1945)

Doorway, old Scotch College.

Leslie Ward (1895–1978)

Doughty's Island.

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

Ducks

((1923))

linocut

Leslie Ward (1895–1978)

Eastington Farm, Dorset.

Norman Lindsay (1879–1969)

Enter the Magicians.

(1927)

Sydney Ure Smith (1887–1949)

Entrance to the Farm.

Sydney Ure Smith (1887–1949)

Entrance, old Colonial Treasury.

John Goodchild (1898–1980)

Evening anchorage.

Victor Cobb (1876–1945)

Evening light, Darebin Creek.

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Evening ride

(1925)

drypoint

Henri Van Raalte (1881–1929)

Evening symphony.

Norman Lindsay (1879–1969)

Femininity.

(1918)

M. Napier Waller (1893–1972)

Fish Lane, Chester.

Harold Herbert (1891–1945)

Fishing boats, Martigues.

C.W. Williams (1930–)

Flinders Street Station.

Herbert Rose (1890–1937)

Fondamenta Tasca, Venice.

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Fruit piece | Pears and grapes | Still life, grapes and pears

(1925)

wood-engraving

John Goodchild (1898–1980)

Gateway, Lincoln.

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

Guinea fowls

(c.1922)

linocut

John Goodchild (1898–1980)

Gums in sunlight.