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Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

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35 artists
244 works
1 exhibition
Exhibition history

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