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(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 261 – 280 of 298 IMAGES ONLY
Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

The shell.

(1920)

drypoint

Artist: Gruner, Elioth. | Title: The slip-rail | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The slip-rail

(c.1920)

drypoint

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

The Spaniards, Hampstead Heath.

(1909)

etching and drypoint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: Pratt, Douglas. | Title: The sunlit forge. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Douglas Pratt (1900–1972)

The sunlit forge.

(c.1929)

etching

Artist: Owen, Gladys. | Title: The Sydney Bridge. | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The Sydney Bridge.

(1932 (exhibited))

wood-engraving

Artist: Thorpe, Hall. | Title: The Synagogue | Date: 1897 | Technique: etching, printed in brown ink, from one plate

Hall Thorpe (1874–1947)

The Synagogue

(1897)

etching

Artist: Mahoney, Will. | Title: The Tandem act | Date: 1931 | Technique: drypoint, printed in black ink, from one plate

Will Mahoney (1905–1989)

The Tandem act

(1931)

drypoint

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

The teamster.

(1923)

etching and rocker

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The terrace by the sea

(1921)

aquatint and burnishing

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The timber belt | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The timber belt

(1919)

etching

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Tinsmith's shop, King Street, Sydney | Crabb's tinsmith's shop, King street, Sydney

(1921)

etching

Artist: Proctor, Thea. | Title: The toilet. | Date: c.1918 | Technique: lithograph, printed in black ink, from one stone

Thea Proctor (1879–1966)

The toilet.

(c.1918)

lithograph

Artist: Long, Sydney. | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Victorian Tower

(c.1919)

softground etching and aquatint

Artist: LINDSAY, Lionel | Title: The waiting gondola, Venice | Date: 1930 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The waiting gondola, Venice | A canal at Venice

(1930)

etching

Artist: Leason, Percy. | Title: The water cart | Date: 1921 | Technique: etching, printed in black ink, from one plate | Copyright: Permission granted in memory of Percy Leason

Percy Leason (1889–1959)

The water cart

(1921)

etching

Artist: Long, Sydney. | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The water meads

(1928)

line-etching

Artist: Traill, Jessie. | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The waterhole

(1922)

etching

Artist: Black, Dorrit. | Title: The wattle tree. | Date: c.1933 | Technique: linocut, printed in colour, from four blocks (yellow, orange, grey-green, cobalt blue)

Dorrit Black (1891–1951)

The wattle tree.

(c.1933)

linocut