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(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 241 – 260 of 298 IMAGES ONLY
Artist: Long, Sydney. | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Artist: Long, Sydney. | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The march hare | Old Tom O'Bedlam

(1919)

etching

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mill Bridge, Bridgewater, South Australia

(1920)

etching

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The observatory

(1919)

etching and aquatint

Artist: Long, Sydney. | Title: The old mill | Date: 1919 | Technique: line-etching, sandgrain-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old mill

(1919)

line-etching

Artist: Bull, Norma C. | Title: The old mill Hobart. | Date: 1938 | Technique: etching and aquatint, printed in black ink, from one plate

Norma C. Bull (1906–1980)

The old mill Hobart.

(1938)

etching and aquatint

Artist: Long, Sydney. | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old shot and powder works | The shot tower on The Thames, London | The shot tower, London

(1925)

line-etching

Artist: LINDSAY, Lionel | Title: The pack horse | Date: 1931 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pack horse

(1931)

drypoint

Artist: Long, Sydney. | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The passing storm

(c.1919)

aquatint

Artist: LINDSAY, Lionel | Title: The picador's girl | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The picador's girl

(1920)

etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

The picnic.

(1923)

etching

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pumpkin patch, Windsor

(1921)

drypoint

Artist: Long, Sydney. | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The river from Blackfriars Bridge | The Thames from Blackfriars Bridge, London

(1925)

line-etching

Artist: Long, Sydney. | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The riverside

(1923)

line-etching and aquatint

Artist: LINDSAY, Lionel | Title: The satyr's pool | Date: 1917 | Technique: etching and spirit-aquatint, printed in blrown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The satyr's pool

(1917)

etching and spirit-aquatint

Artist: Shirlow, John. | Title: The saw mill. | Date: 1910

John Shirlow (1869–1936)

The saw mill. | Anthony's saw mill.

(1910)

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The selector

(1923)

etching

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The shanty on the rise

(1922)

etching