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(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 221 – 240 of 292 IMAGES ONLY
Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The far shore

(1921)

drypoint

Artist: TRAILL, Jessie | Title: The frozen river, Saskatchewan, Canada | Date: 1920 | Technique: aquatint, printed in brown ink, from one plate

Jessie Traill (1881–1967)

The frozen river, Saskatchewan, Canada

(1920)

aquatint

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

James Crisp (1879–1962)

The gander.

(1924)

etching

Artist: Gruner, Elioth. | Title: The glade | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The glade

(1919)

drypoint

Artist: LINDSAY, Lionel | Title: The Great Door, Burgos | Date: 1929 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Great Door, Burgos

(1929)

etching

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Gypsy dance

(1919)

etching

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour, St.Ives

(1920)

softground-etching with burnishing

Artist: LINDSAY, Lionel | Title: The Hermitage, Cordova. | Date: 1931 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Hermitage, Cordova.

(1931)

etching

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The home of the rooks

(1918)

line-etching

Artist: Allan, Ailsa [1]. | Title: The invalid. | Date: 1932 | Technique: linocut, printed in black ink, from one block

Ailsa [1]. Allan (1899–1943)

The invalid.

(1932)

linocut

Artist: LINDSAY, Lionel | Title: The Jester | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Jester | Selfportrait in fancy dress

(1923)

wood-engraving

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

Penleigh Boyd (1890–1923)

The jetty.

(c.1921)

drypoint

Artist: TRAILL, Jessie | Title: The jewel necklace, Bland River and Lake Cowal, NSW | Date: 1920 | Technique: etching and aquatint, printed in black ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The jewel necklace, Bland River and Lake Cowal, NSW

(1920)

etching and aquatint

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lagoon

(1928)

aquatint and drypoint

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

Squire Morgan (1886–1974)

The lagoon, Dee Why

(1924)

etching

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The march hare | Old Tom O'Bedlam

(1919)

etching

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mill Bridge, Bridgewater, South Australia

(1920)

etching