Education Department Gallery

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(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 201 – 220 of 292 IMAGES ONLY
Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The camp in the forest

(1920)

softground-etching

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Canon's niece, Spain

(1919)

drypoint

Artist: LINDSAY, Lionel | Title: The Chinese basket | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Chinese basket

(1924)

wood-engraving

Artist: Roberts, Tom. | Title: The Chinese cook shop. | Date: 1887 | Technique: etching, printed in brown ink, from one copper plate

Tom Roberts (1856–1931)

The Chinese cook shop. | A Chinese cook shop | The opium den

(1887)

etching

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The clipped wing | Depression | Melancholy | The broken wing

(1931)

wood-engraving

Artist: Cornish, Muriel. | Title: The corner of the street. | Date: 1936 | Technique: linocut, printed in black ink, from one block

Muriel Cornish (1893–1945)

The corner of the street.

(1936)

linocut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The crab | The blue crab

(1931)

wood-engraving

Artist: LINDSAY, Lionel | Title: The crane | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The crane | The heron

(1925)

wood-engraving

Artist: Coveny, Christopher. | Title: The cricket match at Muggleton. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The cricket match at Muggleton.

(1882)

etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The crossing | Spanish river scene

(1923)

etching

Artist: LINDSAY, Lionel | Title: The deserted shrine. | Date: 1907 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The deserted shrine.

(1907)

etching and aquatint

Artist: Warner, Alfred Edward. | Title: The District Court | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate

Alfred Edward Warner (1879–1968)

The District Court

(1923)

etching

Artist: LINDSAY, Lionel | Title: The Doctor's house, Windsor, NSW | Date: 1919 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Doctor's house, Windsor, NSW

(1919)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The drafting gate, Bendemeer

(1925)

drypoint

Artist: Coffey, Alfred. | Title: The dust bin. | Date: 1928 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

The dust bin.

(1928)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The edge of the plain, NSW | Date: 1918 | Technique: drypoint, printed in black ink with plate-tone with wiped hightlights, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The edge of the plain, NSW

(1918)

drypoint

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Emperor | Head of a cock | The white cock | The white cockerel

(1922)

wood-engraving

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Max Ragless (1901–1981)

The fallen branch

(1934)

aquatint and drypoint