Education Department Gallery

Education Department Gallery | ART GALLERY | EDUCATION DEPARTMENT ART GALLERY | EDUCATION DEPARTMENT' GALLERY | EDUCATION DEPARTMENT'S GALLERY | EDUCATION DEPARTMEN'TS ART GALLERY | EDUCATION DEPARTMENT EXHIBITION GALLERIES.

(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 181 – 200 of 292 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: Swing bridge, Balhanna, South Australia | Date: 1920 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Swing bridge, Balhanna, South Australia

(1920)

etching

Artist: Campbell, Fred. | Title: Swinging Basin, Yarra. | Date: 1917 | Technique: etching and aquatint, printed in black ink, from one plate

Fred Campbell (1851–1930)

Swinging Basin, Yarra.

(1917)

etching and aquatint

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Sydney Harbour.

(1921)

etching

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

Fred Britton (1889–1931)

Sydney Harbour Bridge construction. | Const. Sydney Bridge

(1929)

etching and drypoint

Artist: Duterrau, Benjamin. | Title: Tanleboueyer, a native of the district of Oyster Bay & the Wife to Manalargerna was attached to the misson in 1830. | Date: 1835, August 24 | Technique: etching, printed in brown ink, from one copper plate

Benjamin Duterrau (1767–1851)

Tanleboueyer, a native of the district of Oyster Bay & the Wife to Manalargerna was attached to the misson in 1830.

(1835, August 24)

etching

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Teamsters

(1923)

aquatint and roulette

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

Testing the new turbine, Red Cliffs pumps, August 1922.

(1923)

etching and aquatint

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

A.H. Fullwood (1863–1930)

The 'Black Horse' Richmond NSW. | "The Black Horse" Richmond

(1894)

etching

Artist: LINDSAY, Lionel | Title: The Alcazar, Segovia | Date: 1926 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Alcazar, Segovia

(1926)

drypoint

Artist: Huntley, Isabel. | Title: The ball | Date: 1930, June | Technique: etching, printed in warm black ink, from one plate | Copyright: © Estate of Isabel Huntley, Douglas Huntley

Isabel Huntley (1900–1982)

The ball

(1930, June)

etching

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The barber of Bou-Saada, Algeria

(1929)

etching

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

Artist: Thake, Eric. | Title: The bathers. | Date: 1925 | Technique: relief-engraving, printed in black ink, from one type-metal block

Eric Thake (1904–1982)

The bathers.

(1925)

relief-engraving

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The black cat

(1922)

wood-engraving

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The blacksmith's shop

((1928))

line-etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The blacksmith's shop, Ambleside | The blacksmith's shop

(1925)

etching

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The bridge, Avoca

(1926)

line-etching and drypoint printed in black ink with plate-tone

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

Squire Morgan (1886–1974)

The bush mother.

(c.1932)

etching and aquatint

Artist: van RAALTE, Henri | Title: The cabbage seller, Delft | Date: 1918 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

The cabbage seller, Delft

(1918)

drypoint