Education Department Gallery

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(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 1 – 20 of 292 IMAGES ONLY
Artist: URE SMITH, Sydney | Title: 201 York Street North, Sydney | Date: c.1926 | Technique: etching, printed in warm black ink, from one plate

Sydney Ure Smith (1887–1949)

201 York Street North, Sydney

(c.1926)

etching

Artist: LINDSAY, Lionel | Title: A church in Burgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A church in Burgos

(1927)

drypoint

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A Cornish landscape

((1919))

softground

Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A nook at Berry's Bay | Old foreshore, Berry's Bay

(1922)

mezzotint

Artist: LINDSAY, Lionel | Title: A street in Guadalupe | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A street in Guadalupe

(1927)

drypoint

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

A tomb in Bethlehem.

((1919))

etching and foul biting

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A windy day

(1927)

line-etching

Artist: LINDSAY, Lionel | Title: Abandoned abattoir | Date: 1918 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Abandoned abattoir | Deserted abattoir | Glebe abattoir

(1918)

etching

Artist: Barker, David. | Title: Abdul. | Date: (1923) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

Abdul.

((1923))

etching and foul biting

Artist: MORT, Eirene | Title: Adjutants | Date: 1913 | Technique: aquatint, printed in black ink, from one plate

Eirene Mort (1879–1977)

Adjutants

(1913)

aquatint

Artist: LINDSAY, Lionel | Title: Afternoon | Date: 1908-09 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Afternoon | Pan

(1908-09)

etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Ambleside farmyard

(c.1926)

etching

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll.

(c.1920)

drypoint

Artist: LINDSAY, Lionel | Title: An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Old courtyard, Latrobe Street | Old Latrobe Street Courtyard, Melbourne

(1914)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Arcadia Alley, Pitt Street, Sydney | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Arcadia Alley, Pitt Street, Sydney | Arcadian Alley

(1919)

etching

Artist: URE SMITH, Sydney | Title: Argyle Cut in 1926. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

Sydney Ure Smith (1887–1949)

Argyle Cut in 1926.

(1926)

etching

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

Argyle cut, old Sydney.

(1910)

etching

Artist: LINDSAY, Lionel | Title: Argyle Cut, Sydney, from the rear | Date: 1917 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Argyle Cut, Sydney, from the rear

(1917)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Ariadne | Date: 1917 | Technique: spirit-aquatint, etching, burnishing and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Ariadne

(1917)

spirit-aquatint

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Autumn landscape | Autumn landscape, Epping

(1920)

line-etching