Institute Building [Adelaide].

Institute Building [Adelaide].

(1860)

Exhibition venue. Located: Australia (SA).

WORKS 1 – 20 of 46 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A nook at Berry's Bay | Old foreshore, Berry's Bay

(1922)

mezzotint

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

A tomb in Bethlehem.

((1919))

etching and foul biting

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll.

(c.1920)

drypoint

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Apple blossom

(1924)

wood-engraving

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

Argyle cut, old Sydney.

(1910)

etching

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Bank of New South Wales, Windsor

(1920)

etching

Artist: LINDSAY, Lionel | Title: Bilgola | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Bilgola | She-oaks, Bilgola

(1921)

drypoint

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Bulls on the bridge, Andalucia, Spain | Travelling with fighting bulls

(1920)

etching

Artist: LINDSAY, Lionel | Title: Cottage idyll, Ambleside, South Australia | Date: 1922 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Cottage idyll, Ambleside, South Australia

(1922)

etching

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

Deserted courtyard, Hartley

(1920)

etching

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Desolation

(1919)

spirit-aquatint with burnished hightlights

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Don Quixote

(1922)

etching

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Edge of the world.

(1907)

etching

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

Friendly trees

(1921)

etching

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

Norman Lindsay (1879–1969)

From the moon

(1920)

etching

Artist: LINDSAY, Norman | Title: Good morning | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

Norman Lindsay (1879–1969)

Good morning

(1921)

etching

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Henry Lawson

(1919)

drypoint

Artist: LINDSAY, Lionel | Title: Heysen's birds | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Heysen's birds | Turkeys

(1923)

wood-engraving

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

His ain fireside.

(1912?)

etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint