Sedon Galleries [3].

Sedon Galleries [3].

(by 1935)

Commercial gallery. Located: Australia (VIC).

WORKS 61 – 80 of 189 IMAGES ONLY

Murray Griffin (1903–1992)

Full tide.

(c.1934)

linoct

John Shirlow (1869–1936)

Gate of the City.

E. Parsons

Gooseham Hill, near Welcombe.

T.F. Levick (1864–1945)

Greyfriars Street, Chester.

print?

Margaret Preston (1875–1963)

Hakea.

E. Parsons

Hartland.

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Penleigh Boyd (1890–1923)

Hauling the nets.

(c.1921)

drypoint

Fred Campbell (1851–1930)

Healesville.

aquatint

John Goodchild (1898–1980)

Hick's Lane, Melbourne.

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

Hit.

((1923))

linocut

John Goodchild (1898–1980)

Home berths.

E. Parsons

Hope House.

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Hornbill

(1931)

wood-engraving

Margaret Preston (1875–1963)

Koala.

Margaret Preston (1875–1963)

Kookaburras.

Artist: LINDSAY, Norman | Title: Land of the Sylphs | Date: 1926 | Technique: drypoint, printed in blue ink, from one plate

Norman Lindsay (1879–1969)

Land of the Sylphs

(1926)

drypoint

John Goodchild (1898–1980)

Landscape, Otway Ranges.

John Shirlow (1869–1936)

Laneway, St Paul's Cathedral, Melbourne.

Wintszler. (1933–)

Le Petit Marche.

Artist: Rose, Herbert. | Title: Le Puy, France | Date: c.1927 | Technique: etching, printed in black ink, from one plate

Herbert Rose (1890–1937)

Le Puy, France

(c.1927)

etching