Farmers Smoke Room

Farmers Smoke Room

(by 1924)

Commercial exhibition venue. Located: Australia (NSW).

WORKS 1 – 9 of 9 IMAGES ONLY
Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Black Mountain, Canberra

(1924)

etching

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Cronulla Beach.

(1924)

etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Fishing boats, Lisbon

(1923)

line-etching

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Magpies | The early bird

(1920)

line-etching and drypoint

Artist: TRAILL, Jessie | Title: The big building, Yallourn, May 1924. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

The big building, Yallourn, May 1924.

(1924)

etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

James Crisp (1879–1962)

The gander.

(1924)

etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

Squire Morgan (1886–1974)

The lagoon, Dee Why

(1924)

etching

Artist: Friedensen, Thomas. | Title: The man from Burrywang. | Date: 1925 | Technique: etching and drypoint, printed in black ink, from one plate

Thomas Friedensen (1879–1931)

The man from Burrywang.

(1925)

etching and drypoint

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

John Goodchild (1898–1980)

The work of day | Rundle Street, Adelaide

(1924)

softground etching