Preece Gallery's Gallery Of Australian Art

Preece Gallery's Gallery Of Australian Art | PREECE'S GALLERY OF AUSTRALIAN ART

WORKS 1 – 19 of 19 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: A bridge, Estremadura | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A bridge, Estremadura | A bridge, Estremadura [sic]

(1926)

drypoint

Artist: LINDSAY, Lionel | Title: A Calvary, Segovia | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Calvary, Segovia

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: A church in Burgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A church in Burgos

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: A Church in the Roman Forum | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Church in the Roman Forum

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: A doorway, Burgos Cathedral | Date: 1926 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A doorway, Burgos Cathedral

(1926)

etching and aquatint

Artist: LINDSAY, Lionel | Title: A smithy, Avila, Spain | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A smithy, Avila, Spain

(1926)

drypoint

Artist: LINDSAY, Lionel | Title: A street in Guadalupe | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A street in Guadalupe

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: Burgos | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Burgos

(1927)

etching

Artist: LINDSAY, Lionel | Title: Castle Coca, Spain | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Castle Coca, Spain | Castle Cocas [sic], Spain

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: Posada de la sangre, Toledo | Date: 1926 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Posada de la sangre, Toledo | The inn of the blood

(1926)

etching

Artist: LINDSAY, Lionel | Title: San Andres, Toledo | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

San Andres, Toledo | St Andes, Toledo

(1927)

etching

Artist: LINDSAY, Lionel | Title: Sospel, France | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Sospel, France

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: The Alcazar, Segovia | Date: 1926 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Alcazar, Segovia

(1926)

drypoint

Artist: LINDSAY, Lionel | Title: The carpenter's shop, Toledo | Date: 1926 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The carpenter's shop, Toledo

(1926)

etching

Artist: LINDSAY, Lionel | Title: The monastery, Guadalupe | Date: 1927 | Technique: drypoint printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The monastery, Guadalupe

(1927)

drypoint printed in brown ink with plate-tone

Artist: LINDSAY, Lionel | Title: The shadow of the vine, Taormina | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The shadow of the vine, Taormina

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: The three beggars of Guadalupe | Date: 1926 | Technique: etching, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The three beggars of Guadalupe

(1926)

etching

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

John Goodchild (1898–1980)

The work of day | Rundle Street, Adelaide

(1924)

softground etching

Artist: LINDSAY, Lionel | Title: The Zocodover Gate, Toledo | Date: 1926 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Zocodover Gate, Toledo

(1926)

drypoint