Sedon Galleries [1]

Sedon Galleries [1]

(13 October 1925)

Commercial gallery. Located: Australia (VIC).

WORKS 41 – 60 of 65 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The broken fence

(1923)

wood-engraving

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The broken plough

(c.1923)

etching

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The compliment

(1924)

etching

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The drafting gate, Bendemeer

(1925)

drypoint

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Emperor | Head of a cock | The white cock | The white cockerel

(1922)

wood-engraving

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Artist: Waller, M. Napier. | Title: The flight | Date: c.1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

The flight

(c.1925)

linocut

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The fountain

(1922)

wood-engraving

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

Harold Herbert (1891–1945)

The hermitage, Martigue. | An old monastery, Les Martiques.

(c.1921)

drypoint

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The leaning tree

(c.1927)

aquatint

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

The man in black.

(1925)

linocut

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The old gum

(c.1928)

etching

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

The poddy calf

(c.1925)

linocut

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

M. Napier Waller (1893–1972)

The Ring | Sigurd

(1923)

wood-engraving

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The river from Blackfriars Bridge | The Thames from Blackfriars Bridge, London

(1925)

line-etching

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The roost | Berowra

(1927)

line-etching

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

The Spaniards, Hampstead Heath.

(1909)

etching and drypoint