Sedon Galleries [1]

Sedon Galleries [1]

(13 October 1925)

Commercial gallery. Located: Australia (VIC).

WORKS 1 – 20 of 65 IMAGES ONLY
Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A windy day

(1927)

line-etching

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

An ancient gateway, Burgos

(1928)

drypoint

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

Victor Cobb (1876–1945)

Approach to the old stables of Cobb and Co., Melbourne.

(1926)

etching

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

Basket willow.

((1922))

etching

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Berry's Bay

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Between the showers

((1916))

line-etching and drypoint

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Brisbane water

(1925)

line-etching

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

Brixham trawlers

(c.1923)

etching

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Dahlias

(1925)

wood-engraving

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

Decoration.

(1924)

etching

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

Deserted courtyard, Hartley

(1920)

etching

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

Ducks

((1923))

linocut

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Evening ride

(1925)

drypoint

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Fishing boats, Kings Lynn

((1919))

etching

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Fruit piece | Pears and grapes | Still life, grapes and pears

(1925)

wood-engraving

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Gamecocks, Spain

(1919)

etching

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

Guinea fowls

(c.1922)

linocut

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

M. Napier Waller (1893–1972)

Hit.

((1923))

linocut

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

House on the hill.

(1925)

linocut

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

In Morocco

(c.1928)

etching