Dunster Galleries

Dunster Galleries | DUNSTER GALLERIES, The

(by 1925)

Commercial gallery. Located: Australia (SA).

WORKS 21 – 35 of 35 IMAGES ONLY
Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Sydney Harbour from Vaucluse | The lotus flower

(1923)

etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The blacksmith's shop, Ambleside | The blacksmith's shop

(1925)

etching

Artist: FEINT, Adrian | Title: The collector. | Date: (1925) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

The collector.

((1925))

etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching

Artist: Waller, M. Napier. | Title: The flight | Date: c.1925 | Technique: linocut, printed in colour, from multiple blocks

M. Napier Waller (1893–1972)

The flight

(c.1925)

linocut

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

James Crisp (1879–1962)

The gander.

(1924)

etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

Squire Morgan (1886–1974)

The lagoon, Dee Why

(1924)

etching

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old parchment mills | Old parchment mills on the River Wandle

(1920)

line-etching and drypoint

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

The picnic.

(1923)

etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The riverside

(1923)

line-etching and aquatint

Artist: GOODCHILD, John | Title: The Spit, Sydney | Date: 1922 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

The Spit, Sydney

(1922)

etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Squire Morgan (1886–1974)

Ti trees

(1922)

etching and aquatint

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

Tuarts of the South-West.

(1920)

drypoint

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Washing day

(1924)

etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Young Kookaburras

(1925)

line-etching and drypoint