Blaxland Galleries. [1].

Blaxland Galleries. [1]. | Farmers Blaxland Galleries

(16 September 1929 – 1958)

Commercial gallery. Located: Australia (NSW).

Australian contemporary paintings, prints

WORKS 21 – 40 of 40 IMAGES ONLY
Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Old houses, Chiddingstone

(1919)

line-etching and aquatint

Artist: Black, Dorrit. | Title: On the rocks. | Date: 1935 | Technique: linocut, printed in colour, from five blocks (yellow ochre, orange, crimson, light grey, cobalt blue)

Dorrit Black (1891–1951)

On the rocks.

(1935)

linocut

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

Allan Glover (1900–1984)

Parker's cottage, Moonta Mines

(1929)

etching

Artist: PRESTON, Margaret | Title: Polo | Date: 1935 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Polo

(1935)

woodcut

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Tascot

(1928, after)

line-etching

Artist: PRESTON, Margaret | Title: The aeroplane. | Date: 1925 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The aeroplane.

(1925)

woodcut

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Artist: Blackburn, Vera. | Title: The bay. | Date: 1936 | Technique: linocut, printed in black ink, from one block | Copyright: © Vera Blackburn

Vera Blackburn (1911–1991)

The bay.

(1936)

linocut

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Thomas Friedensen (1879–1931)

The bush madonna.

(1930)

etching and aquatint

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

Max Ragless (1901–1981)

The fallen branch

(1934)

aquatint and drypoint

Artist: LONG, Sydney | Title: The land of the lavender | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The land of the lavender | The watercress bed

(1923)

line-etching

Artist: Black, Dorrit. | Title: The mountain lake. | Date: c.1935 | Technique: linocut, printed in colour, from four blocks (yellow-brown ochre, emerald green, cobalt blue, ultramarine)

Dorrit Black (1891–1951)

The mountain lake.

(c.1935)

linocut

Artist: Black, Dorrit. | Title: The pot plant. | Date: 1933 | Technique: linocut, printed in colour, from six blocks (crimson, brown ochre, cobalt blue viridian, light brown-grey)

Dorrit Black (1891–1951)

The pot plant.

(1933)

linocut

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The riverside

(1923)

line-etching and aquatint

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Douglas Pratt (1900–1972)

The Sunlit Forge

(c.1929)

etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

The teamster.

(1923)

etching and rocker

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

Allan Glover (1900–1984)

Towards Treuer's and Karkarilla Moonta Mines

(1927)

etching and aquatint

Artist: Spowers, Ethel. | Title: Tug of war | Date: 1933 | Technique: linocut, printed in colour, from four blocks (pink, emerald green, grey and dark blue)

Ethel Spowers (1890–1947)

Tug of war

(1933)

linocut

Artist: Buzacott, Nutter. | Title: West Melbourne street scene. | Date: 1938 | Technique: wood-engraving, printed in black ink, from one block

Nutter Buzacott (1905–1977)

West Melbourne street scene.

(1938)

wood-engraving

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Windmill Street, Old Sydney [1]

((1926))

drypoint