Farmer & Company

Farmer & Company | Farmers

Commercial gallery. Located; Australia (NSW).

WORKS 141 – 160 of 186 IMAGES ONLY

Thomas Friedensen (1879–1931)

Sydney Harbor from Athol Gardens.

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Sydney Harbour.

(1921)

etching

John Goodchild (1898–1980)

Sydney, from Bradley's Head.

Frank Emanuel (1865–1948)

T'Auld Brig o' Ayr.

John Shirlow (1869–1936)

The Bank Door (Commercial Bank, Melb.).

Dorothy Kay

The Basuto Blanket Not arrived in.

John Goodchild (1898–1980)

The Bridge.

(1925)

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

A.H. Fullwood (1863–1930)

The country postman.

(1925)

etching

Sydney Ure Smith (1887–1949)

The country road.

Helen Farmer (1888–1970)

The cowbail.

Alfred Edward Warner (1879–1968)

The distant road.

Squire Morgan (1886–1974)

The glade.

(1923)

Sydney Long (1871–1955)

The Harbour St. Ives.

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour, St.Ives

(1920)

softground-etching with burnishing

F. Sidney Walker (1888–1972)

The Headland, Newport.

(by 1925)

James Crisp (1879–1962)

The intruder [1].

(1925)

Sydney Long (1871–1955)

The Lake [softground].

Softground etching

Squire Morgan (1886–1974)

The lakeside.

(1923)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Fred Burridge (1869–1945)

The Mill in the Wirral.