Farmer & Company

Farmer & Company | Farmers

Commercial gallery. Located; Australia (NSW).

WORKS 1 – 20 of 23 IMAGES ONLY
Artist: SHIRLOW, John | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

A bye-way, Flinders Lane. | Bye-way

(1896)

etching

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A Cornish landscape

((1919))

softground

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Ambleside farmyard

(c.1926)

etching

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Autumn landscape | Autumn landscape, Epping

(1920)

line-etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Between the showers

((1916))

line-etching and drypoint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

Farm corner.

(1923)

etching

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

A.H. Fullwood (1863–1930)

Macquarie Place, Sydney.

(c.1923)

etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Moonrise pastoral

(1918)

aquatint

Artist: Friedensen, Thomas. | Title: Old Jimmy. | Date: 1925 | Technique: drypoint, printed in black ink, from one plate

Thomas Friedensen (1879–1931)

Old Jimmy.

(1925)

drypoint

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pan

(1919)

line-etching and aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral sandgrain

(1918)

aquatint

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

Will Ashton (1881–1963)

Ponte Vecchio, Florence

(c.1930)

etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Porte Marechale, Bruges

(c.1919)

line-etching

Artist: Warner, Alfred Edward. | Title: Prawners | Date: 1935 | Technique: etching, printed in black ink with plate-tone, from one plate

Alfred Edward Warner (1879–1968)

Prawners

(1935)

etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

St. Paul's from the river

(1920)

line-etching

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Staples Inn, Holborn

(c.1919)

sandgrain-aquatint

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Sydney Harbour.

(1921)

etching

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

A.H. Fullwood (1863–1930)

The country postman.

(1925)

etching

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour, St.Ives

(1920)

softground-etching with burnishing

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint