Decoration Art Gallery

Decoration Art Gallery | Decoration Gallerys | Decoration Galleries

(c.1918 – c.1924)

Commercial gallery. Located: Australia (VIC).

Contemporary Australian paintings, prints and drawings

WORKS 41 – 60 of 60 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Gypsy dance

(1919)

etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The house on the wall, Cordova

(1923)

spirit-aquatint

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

Penleigh Boyd (1890–1923)

The jetty.

(c.1921)

drypoint

Artist: TRAILL, Jessie | Title: The jewel necklace, Bland River and Lake Cowal, NSW | Date: 1920 | Technique: etching and aquatint, printed in black ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The jewel necklace, Bland River and Lake Cowal, NSW

(1920)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The observatory

(1919)

etching and aquatint

Artist: URE SMITH, Sydney | Title: The old mill, Mt Gilead | Date: 1915, December | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The old mill, Mt Gilead

(1915, December)

etching and aquatint

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old parchment mills | Old parchment mills on the River Wandle

(1920)

line-etching and drypoint

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pumpkin patch, Windsor

(1921)

drypoint

Artist: LINDSAY, Lionel | Title: The Sacred Grove | Date: 1921 | Technique: spirit-aquatint, etching and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Sacred Grove

(1921)

spirit-aquatint

Artist: LINDSAY, Lionel | Title: The satyr's pool | Date: 1917 | Technique: etching and spirit-aquatint, printed in blrown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The satyr's pool

(1917)

etching and spirit-aquatint

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The selector

(1923)

etching

Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

The shell.

(1920)

drypoint

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

The Spaniards, Hampstead Heath.

(1909)

etching and drypoint

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Sundowner

(1921)

aquatint and burnishing

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Tinsmith's shop, King Street, Sydney | Crabb's tinsmith's shop, King street, Sydney

(1921)

etching

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

Elioth Gruner (1882–1939)

The wattles

((1921))

drypoint

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

Tuarts of the South-West.

(1920)

drypoint