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EXHIBITIONS 261 – 280 of 294 IMAGES ONLY

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Artist: UNKNOWN | Title: The D'Oyley Show: An exhibition of Women's Domestic Needlework. Watters Gallery. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

The Europeans: Emigré Artists in Australia 1930–1960.

Artist: TIPPING, Richard | Title: The Everlasting Stone, Adelaide Festival Centre Gallery. | Date: 1978

Artist: UNKNOWN | Title: The field, National Gallery of Victoria | Date: 1968 | Technique: screenprint, printed in colour, from multiple stencils

Artist: ARNOLD, Raymond | Title: The gothic, perversity and its pleasure, Chameleon Gallery, Hobart. | Date: 1987 | Technique: screenprint, printed in colour, from four stencils

The illusion of the end: Mike Parr.

Artist: Jenyns, Bob. | Title: The Jenyns show, Watters Gallery, Sydney | Date: 1977

The journey of the Cardinal's head: Gillian Mann, recent etchings 2007.

The Land: The National Heart Foundation Portfolio of Prints.

The second and final sale of fine prints, maps & charts the property of Antiquarian Maps & prints Pty. Ltd. (in liquidation).

Artist: Jenyns, Bob. | Title: Exhibition poster: Bob Jenyns | Date: 1991 | Technique: offset-lithograph, printed in colour, from multiple plates

Artist: Megalo International Screenprinting Collective. | Title: The whitewash of the year, Bitumen River Gallery | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Artist: Debenham, Pam. | Title: Tin Sheds Student Exhibition - Power Gallery. | Date: 1987 | Technique: screenprint, printed in colour, from two stencils

Artist: Young, Ray. | Title: Exhibition poster: Tiwi designs, Hogarth Galleries | Date: 1982 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Raymond John Young

Tony Ameneiro: Head to head.

Tony Ameneiro: Recent drawings.

Tony Bevan.

Transformations: An exhibition of work by Yuri Shimmyo, Anna C Warren and Ellena Boter.

Twelve Australian lithographers.

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Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login