Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Dunster Galleries (24 November 1925 – 15 December 1925)

Commercial Multi-artist exhibition. Located: Australia (NSW).

Prints

WORKS 81 – 100 of 138 IMAGES ONLY

Henri Van Raalte (1881–1929)

Silver evening.

(1925)

William Lee Hankey (1869–1952)

Sitting Up.

etching

A.H. Fullwood (1863–1930)

St. James Church, Sydney.

A.H. Fullwood (1863–1930)

St. Joseph's College, Sydney.

Thomas Friedensen (1879–1931)

St. Paul's Cathedral, London.

(1922)

Sydney Long (1871–1955)

Strand on the Green.

etching

Alfred Edward Warner (1879–1968)

Sundown.

(by 1924)

John Goodchild (1898–1980)

Sydney from Bradleys Head.

A.H. Fullwood (1863–1930)

Sydney Grammar School.

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Sydney Harbour from Vaucluse | The lotus flower

(1923)

etching

Fred Britton (1889–1931)

The barn.

etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The blacksmith's shop, Ambleside | The blacksmith's shop

(1925)

etching

Thomas Friedensen (1879–1931)

The Breaking up of H.M.A.S. 'Australia'.

etching

John Goodchild (1898–1980)

The Bridge.

(1925)

Henri Van Raalte (1881–1929)

The Cathedral at Dawn.

etching

Helen Farmer (1888–1970)

The cottage on the hill.

etching

Sydney Ure Smith (1887–1949)

The country road.

Helen Farmer (1888–1970)

The cowbail.

Helen Farmer (1888–1970)

The derelict.

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching