The Australian Painter-Etchers' Society. First Annual Exhibition.

The Australian Painter-Etchers' Society. First Annual Exhibition.

Education Department Gallery (7 June 1921 – 25 June 1921)

Commercial Multi-artist exhibition. Located: Australia (NSW).

Prints

WORKS 1 – 20 of 86 IMAGES ONLY
Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

A tomb in Bethlehem.

((1919))

etching and foul biting

Artist: MORT, Eirene | Title: Adjutants | Date: 1913 | Technique: aquatint, printed in black ink, from one plate

Eirene Mort (1879–1977)

Adjutants

(1913)

aquatint

Artist: LINDSAY, Lionel | Title: Afternoon | Date: 1908-09 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Afternoon | Pan

(1908-09)

etching

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll.

(c.1920)

drypoint

Artist: LINDSAY, Lionel | Title: An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Old courtyard, Latrobe Street | Old Latrobe Street Courtyard, Melbourne

(1914)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Arcadia Alley, Pitt Street, Sydney | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Arcadia Alley, Pitt Street, Sydney | Arcadian Alley

(1919)

etching

Artist: URE SMITH, Sydney | Title: Argyle Cut in 1926. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

Sydney Ure Smith (1887–1949)

Argyle Cut in 1926.

(1926)

etching

Artist: LINDSAY, Lionel | Title: Argyle Cut, Sydney, from the rear | Date: 1917 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Argyle Cut, Sydney, from the rear

(1917)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Ariadne | Date: 1917 | Technique: spirit-aquatint, etching, burnishing and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Ariadne

(1917)

spirit-aquatint

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Bank of New South Wales, Windsor

(1920)

etching

Artist: van RAALTE, Henri | Title: Banks and boles | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

Banks and boles

(1920)

drypoint

Artist: LINDSAY, Lionel | Title: Berry's Bay timber yard | Date: 1916 | Technique: etching and aquatint, printed in black ink from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Berry's Bay timber yard | Boat builders, Berry's Bay | Eaton's timber yard

(1916)

etching and aquatint

Artist: Coffey, Alfred. | Title: Bottle and Glass Rocks, Sydney Harbour. | Date: 1908 | Technique: etching, printed in black ink, from one plate

Alfred Coffey (1869–1950)

Bottle and Glass Rocks, Sydney Harbour.

(1908)

etching

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

Deserted courtyard, Hartley

(1920)

etching

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Desolation

(1919)

spirit-aquatint with burnished hightlights

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Edge of the world.

(1907)

etching

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Elizabeth Farm, Parramatta | Elizabeth Farm House, Parramatta

(1920)

etching

Artist: LINDSAY, Lionel | Title: Evening harmony | Date: 1919 | Technique: spirit-aquatint, printed in brown ink with plate-tone with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Evening harmony

(1919)

spirit-aquatint

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

Friendly trees

(1921)

etching

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Gamecocks, Spain

(1919)

etching