A collected list of etchings: Sydney Long.

A collected list of etchings: Sydney Long.

Venue Not Identified. None

WORKS 41 – 54 of 54 IMAGES ONLY
Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The home of the rooks

(1918)

line-etching

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Sydney Long (1871–1955)

The Mill.

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old shot and powder works | The shot tower on The Thames, London | The shot tower, London

(1925)

line-etching

Sydney Long (1871–1955)

The Parchment Mills.

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The passing storm

(c.1919)

aquatint

Sydney Long (1871–1955)

The River, from Blackfriars Bridge -.

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The riverside

(1923)

line-etching and aquatint

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Victorian Tower

(c.1919)

softground etching and aquatint

Sydney Long (1871–1955)

The watercress bed.

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The wooden ship

(1922)

etching and drypoint

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Turkeys and pumpkins | Turkeys

(1925)

line-etching and drypoint