Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Education Department Gallery (30 May 1927 – 18 June 1927)

Commercial Multi-artist exhibition. Located: Australia (NSW).

Prints

WORKS 1 – 8 of 8 IMAGES ONLY

Sort By:

Results per page:

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: TRAILL, Jessie | Title: Le portail, St. Maclou [the portal, St. Maclou] | Date: 1927 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate; charcoal additions

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: Friedensen, Thomas. | Title: Young Australia. | Date: 1926 | Technique: drypoint printed in brown ink with plate-tone