Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Education Department Gallery (1 June 1926 – 1 July 1926)

Commercial Multi-artist exhibition. Located: Australia (NSW).

Prints

WORKS 1 – 12 of 12 IMAGES ONLY
Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Ambleside farmyard

(c.1926)

etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Beddington Corner

(1922)

softground-etching and aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Bennett's End. Bucks

(1927)

etching

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Berry's Bay

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Circular Quay, Sydney

(1926)

line-etching and drypoint

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Palm Beach

(1926)

line-etching

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

Will Ashton (1881–1963)

Ponte Vecchio, Florence

(c.1930)

etching

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Station Square [1]

(1927)

line-etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

Helen Farmer (1888–1970)

Sunlit.

(1926)

etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The blacksmith's shop, Ambleside | The blacksmith's shop

(1925)

etching

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Washing day

(1924)

etching