Catalogue of the Fifth Annual Exhibition of the Australian Painter-Etchers Society [1925].

Catalogue of the Fifth Annual Exhibition of the Australian Painter-Etchers Society [1925].

Education Department Gallery (6 July 1925 – 25 July 1925)

Multi-artist exhibition. Located: Australia (NSW).

Included prints

WORKS 1 – 17 of 17 IMAGES ONLY
Artist: Mort, Eirene. | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Black Mountain, Canberra

(1924)

etching

Artist: Long, Sydney. | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Brisbane water

(1925)

line-etching

Artist: Shirlow, John. | Title: Doorway, Bank of Victoria, Melbourne. | Date: 1924 (dated)

John Shirlow (1869–1936)

Doorway, Bank of Victoria, Melbourne.

(1924 (dated))

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

Farm corner.

(1923)

etching

Artist: Long, Sydney. | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Fishing boats, Kings Lynn

((1919))

etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Jerusalem Bay, Ku-Ring-Gai Chase, NSW.

(1924)

etching

Artist: Long, Sydney. | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Lincoln

(1925)

line-etching and drypoint

Artist: Long, Sydney. | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

St. Albans

(1918)

line-etching and drypoint

Artist: Morgan, Squire. | Title: Summer heat | Date: (1923) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Squire Morgan (1886–1974)

Summer heat

((1923))

etching and aquatint

Artist: Long, Sydney. | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The blacksmith's shop

((1928))

line-etching

Artist: Long, Sydney. | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The camp in the forest

(1920)

softground-etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

Squire Morgan (1886–1974)

The lagoon, Dee Why

(1924)

etching

Artist: Long, Sydney. | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old shot and powder works | The shot tower on The Thames, London | The shot tower, London

(1925)

line-etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

The picnic.

(1923)

etching

Artist: Long, Sydney. | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The river from Blackfriars Bridge | The Thames from Blackfriars Bridge, London

(1925)

line-etching

Artist: Long, Sydney. | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The riverside

(1923)

line-etching and aquatint

Artist: Long, Sydney. | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Turkeys and pumpkins | Turkeys

(1925)

line-etching and drypoint