Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Education Department Gallery (8 June 1928 – 23 June 1928)

Commercial Multi-artist exhibition. Located: Australia (NSW).

Prints

WORKS 1 – 20 of 21 IMAGES ONLY
Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

John Goodchild (1898–1980)

Brandon Bridge

(1927)

lithograph

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

Sheila Mcdonald (1902–1971)

Bulletin Place, Sydney

(c.1928)

etching

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Circular Quay | Circular Quay, N.S.W.

(1925)

woodcut

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

Thomas Friedensen (1879–1931)

Cobbers.

(1928)

etching

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

Thomas Friedensen (1879–1931)

Cockatoo.

(1927)

etching

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dee Why landscape

(1928)

line-etching

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Hawkesbury landscape | Australian Landscape

(1924)

line-etching and aquatint

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

Fred Britton (1889–1931)

Julian Ashton esq.

((1925))

etching

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

Jessie Traill (1881–1967)

La forza [the force]

(1927)

mezzotint

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

John Goodchild (1898–1980)

Landscape harmony

(1926)

lithograph

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

Piccadilly Circus (under Reconstruction)

(1927)

etching

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Reflections, Avoca

((1928))

line-etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

Bruce Robertson (1872–1943)

Roadside trees

((1931))

etching

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

St Pauls, Cobitty

(1928)

etching

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

Allan Glover (1900–1984)

Sunlight and ships

(1928)

etching

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

Fred Britton (1889–1931)

Sydney Harbour Bridge construction. | Const. Sydney Bridge

(1929)

etching and drypoint

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The water meads

(1928)

line-etching

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Waterloo Bridge in course of demolition

(1928)

line-etching