Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Education Department Gallery (3 June 1922 – 24 June 1922)

Commercial Multi-artist exhibition. Located; Australia (NSW).

WORKS 161 – 180 of 220 IMAGES ONLY
Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The harbour, St.Ives

(1920)

softground-etching with burnishing

Sydney Ure Smith (1887–1949)

The Hawkesbury River.

etching

Malcolm Osborne (1880–1963)

The Hill Farmland.

Alfred Bentley (1879–1923)

The Hills of Auvergue.

etching

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The home of the rooks

(1918)

line-etching

A.H. Fullwood (1863–1930)

The lagoon.

etching

Sydney Long (1871–1955)

The lake.

softground

Lionel Lindsay (1874–1961)

The Law Courts.

Bruce Robertson (1872–1943)

The Little Bridge, N.S.W.

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The little dutch mill | The mill

(1919)

drypoint

Sydney Long (1871–1955)

The Mill.

Ann Goldthwaite (1875–1944)

The Moth.

etching

Francis Sydney Unwin (1885–1925)

The Municipio, Florence.

etching

James McNeill Whistler (1834–1903)

The Music Room.

etching

John Shirlow (1869–1936)

The Narrow Cave.

etching

Lionel Lindsay (1874–1961)

The old Bark Hut.

drypoint

A.H. Fullwood (1863–1930)

The old barn.

Fred S. Haines (1879–1960)

The Old Beech.

etching

John Wheatley (1892–1955)

The Old Engraver.

etching

A.H. Fullwood (1863–1930)

The Old Slave Market, Capetown.