Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Education Department Gallery (3 June 1922 – 24 June 1922)

Commercial Multi-artist exhibition. Located; Australia (NSW).

WORKS 21 – 40 of 220 IMAGES ONLY
Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Between the showers

((1916))

line-etching and drypoint

Lionel Lindsay (1874–1961)

Bigola.

drypoint

Sydney Ure Smith (1887–1949)

Bilgola, Newport.

etching

Frank Benson (1862–1951)

Black ducks.

Norman Lindsay (1879–1969)

Blind Man's Wife.

etching

James Crisp (1879–1962)

Breakfast.

etching

Lionel Lindsay (1874–1961)

Bridge and Basket Willow.

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Bridge Street, Sydney.

(1922)

etching

Gayfield Shaw (1885–1961)

Brisbane Laneway.

Lionel Lindsay (1874–1961)

Bullfight in a Village.

Will J. Quinlan (1877–1963)

Burling Slip, New York.

etching

Thomas Friedensen (1879–1931)

Caesar's Tower, Warwick Castle.

aquatint

Sydney Ure Smith (1887–1949)

Camden, N.S.W.

Roi Partridge (1888–1984)

Carmel, California.

etching

Edith A. Hope (1870–1942)

Cathedral, Albi.

etching

Edith A. Hope (1870–1942)

Cathedral, Laon.

etching

A.H. Fullwood (1863–1930)

cedar Court, Suffolk.

etching

Sydney Ure Smith (1887–1949)

Chinaman's garden's, Rose Bay.

(c.1920)

etching

Loren R. Barton (1893–)

Chinatown market.

etching

John Shirlow (1869–1936)

Chinese at a doorway

(1922)

etching and aquatint