Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Education Department Gallery (3 June 1922 – 24 June 1922)

Commercial Multi-artist exhibition. Located; Australia (NSW).

WORKS 181 – 200 of 220 IMAGES ONLY
Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The passing storm

(c.1919)

aquatint

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pumpkin patch, Windsor

(1921)

drypoint

Sydney Long (1871–1955)

The river from Waterloo Bridge.

Gayfield Shaw (1885–1961)

The sentinel.

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The shanty on the rise

(1922)

etching

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Cyril Dillon (1883–1974)

The Swimming Pool, Coombe Cottage.

(1923)

Eirene Mort (1879–1977)

The team.

(1921)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The terrace by the sea

(1921)

aquatint and burnishing

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Tinsmith's shop, King Street, Sydney | Crabb's tinsmith's shop, King street, Sydney

(1921)

etching

Jessie Traill (1881–1967)

The Tower, Carcassonne, Night.

Thomas Friedensen (1879–1931)

The tramp.

etching

Edith A. Hope (1870–1942)

The Viaduct, Albi.

etching

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Victorian Tower

(c.1919)

softground etching and aquatint

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The waterhole

(1922)

etching

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

Elioth Gruner (1882–1939)

The wattles

((1921))

drypoint

Bruce Robertson (1872–1943)

The wave, Coogee, N.S.W.

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

The west window

(1922)

etching and drypoint

Penleigh Boyd (1890–1923)

The white gum.